Kate Erbland

Hannah Marks tackles Green’s most insular book, which combines everyday teenage concerns with profound psychological ailments. Plus: a peppy soundtrack.

Everyone is (understandably) nuts over Trent Reznor and Atticus Ross’ pulsating original score, but a 1987 Springsteen banger about how hard it is to be in love provides a different kind of insight.

“I feel weird about this rejection to musicals, because before, every movie was a musical, and they loved them and they were great, I don’t know what happened that the tide turned,” the “In the Heights” star tells IndieWire.

Tom Tykwer’s unstoppable Franka Potente-starring thriller will celebrate its 25th anniversary this June.

Spoilers: Matt Bettinelli-Olpin and Tyler Gillett’s spin on “Dracula’s Daughter” leaves the coffin open for further fanged adventures. Star Melissa Barrera tells IndieWire why that’s exactly what she wants.

The star and co-writer of the upcoming Netflix comedy crafted a number of off-beat fake assassins for the film, which he built in secret before showing up in character to shoot.

This year’s lineup is not yet complete, but the current competition selection includes just four films directed by women, a sticking-point number the festival has long struggled to crack.

The star of Alex Garland’s latest knows the film — about a war-torn and divided America — might sound scary in this current climate, but as she explains to IndieWire, it’s got other stuff on its mind, too.

Spoilers: Arkasha Stevenson’s prequel is set before the first “Omen” film, but any follow-ups, she tells IndieWire, have some serious timeline freedom.

Léa Seydoux, Vincent Lindon, Louis Garrel, and Raphaël Quenard star in the film, which will debut out of competition at the fest.