Karl Quinn

In a nation divided, the backing of Taylor Swift, Beyonce and George Clooney played into a narrative of the Democrats as the party of the “bicoastal elite″⁣.

This debut feature is ripped straight from the low-budget filmmaker handbook, but it’s heartfelt, well-acted and utterly relevant. 

Could the Netflix show, Territory, be Australia’s answer to Yellowstone? Its makers certainly hope so.

The country’s top screen agency is supposed to help people make content. But some producers claim it is deliberately trying to force them out of business. 

The Oscar-winning filmmaker’s Memoir of a Snail has landed 15 years after his last one. Such is the nature of stop-motion animation.

Ali Abbasi sees The Apprentice as a study in naked ambition, but his subject isn’t the only one who’s not happy.

Made on the Gold Coast for $300 million, Nautilus appeared doomed when Disney dropped it. But now, the submarine adventure has resurfaced.

The Substance stars Demi Moore and Margaret Qualley share their thoughts on the body horror film, and why they don’t necessarily agree with its director.

Part theatre, part poetry and purely for the people. As Britpop’s self-declared kings will tell you themselves, they are really all that.

Back for a fourth season, Emily in Paris has nailed its formula more completely than ever.