newyorker.com
In Cristian Mungiu’s Palme d’Or-winning drama, starring Sebastian Stan and Renate Reinsve, a family of conservative Christian immigrants in Norway collide with the progressive values of the European welfare state.
28 days ago
newyorker.com
A dazzling, wolfish performance from Robert Pattinson anchors “Primetime,” Lance Oppenheim’s period piece about the rise and fall of a reality-TV host.
about 1 month ago
newyorker.com
Dave Green’s film about Wile E. Coyote’s quest for compensation sounds a note of zany triumph, having escaped, Road Runner-like, Warner’s attempt to cancel it.
3 months ago
newyorker.com
The protagonists of “Tony” and “Late Fame” find themselves struggling with their writerly destinies.
3 months ago
newyorker.com
In Kiyoshi Kurosawa’s historical drama, “The Samurai and the Prisoner,” a series of puzzling crimes at a besieged fortress yields even more confounding questions about faith, war, and leadership.
3 months ago
newyorker.com
In “I Want Your Sex,” a B.D.S.M. workplace relationship opens up a cross-generational debate about carnal mores.
3 months ago
newyorker.com
In a starry, stirring adaptation of Homer’s epic, the director’s signature realism grounds, without dispelling, the drama’s emotional and mythological power.
4 months ago
newyorker.com
In rich, melancholy new films from the directors Carla Simón and Mark Jenkin, the restorative power of cinema turns out to be a shore thing.
4 months ago
newyorker.com
In the latest chapter of “Toy Story,” Jessie, Woody, and Buzz Lightyear confront a looming threat—screen time—that’s changing the play habits of children everywhere.
5 months ago
newyorker.com
In Olivia Wilde’s bickersome couples comedy, an evening of refreshments and recriminations leads to an intriguing proposition.
5 months ago
newyorker.com
His new alien thriller has shades of “Close Encounters of the Third Kind,” “Minority Report,” even “The Post”—but the retreads yield diminishing returns.
5 months ago
