In her vivid epistolary novel “The White Hot,” the Pulitzer-winning playwright Quiara Alegría Hudes explores the long-tail legacy of maternal rage and regret.
“Giving myself freedom” has been Chris Kraus’s goal as a writer, whether in autofiction about her romantic life or in her new and surprising “working-class saga.”
In Xenobe Purvis’s novel, “The Hounding,” the atmosphere of paranoia and bloodthirsty groupthink in 18th-century England might feel uncomfortably familiar.