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Joshua Barone

Joshua Barone

Senior Staff Editor, Culture Desk at The New York Times

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Location
United States
Languages
  • English
Covering topics
  • Music
  • Entertainment

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Recent Articles

nytimes.com

George Benjamin and Pierre-Laurent Aimard: Friendship in Music

The composer George Benjamin and the pianist Pierre-Laurent Aimard met as students. In a new piece, they perform at the keyboard together.
nytimes.com

Broadway’s Radical ‘Oedipus,’ With Mark Strong and Lesley Manville

Icke dusts off the classics the way a restorer brightens an old master painting. His latest project stars Mark Strong and Lesley Manville.
nytimes.com

Rosalía’s ‘Lux’ Is Operatic. But Is It Opera?

This Spanish pop star’s new album is being advertised as symphonic and operatic. Its music borrows from both, without committing to either.
nytimes.com

Can an Israel Philharmonic Concert Be Just About Music?

In the days following a cease-fire in Gaza, the orchestra returned to New York under circumstances that were more tense than usual.
nytimes.com

How to Watch the Olympics of the Piano World

The International Chopin Piano Competition is entering its final round, with performances that attract millions of viewers.
nytimes.com

A Soprano’s Decade at the Met, Capped With a Thrilling High Note

A Soprano’s Decade at the Met, Capped With a Thrilling High Note
nytimes.com

Sandra Oh’s Career Takes a Musical Turn With Her Opera Debut

Performing in Donizetti’s “La Fille du Régiment” at the Metropolitan Opera, Oh has already perfected the art of waving a fan with sass.
nytimes.com

Did a Single Generation Ruin Modern Music for Everyone Else?

The avant-garde works that emerged from World War II continue to influence how audiences view contemporary music decades later.
nytimes.com

Review: A ‘Don Giovanni’ Revival at the Met Must Be Heard

Ivo van Hove’s stark production of Mozart’s classic has returned to the Metropolitan Opera with a uniformly excellent cast.
nytimes.com

50 Pianos Rumble With the Sound of ‘11,000 Strings’

Georg Friedrich Haas has written a piece of almost ridiculous scale and complexity. The effect is awe-inspiring.
nytimes.com

Review: Mozart’s ‘Figaro’ Meets Larry Kramer’s Fire Island

Review: Mozart’s ‘Figaro’ Meets Larry Kramer’s Fire Island