The 39-year-old flutist-saxophonist-composer has created a formidable body of work that has as much affinity with modern classical composers as with jazz luminaries.
Three and a half years after it was forced to close at the outset of the pandemic, a pillar of the local jazz scene is making its re-entry Friday ahead of what promises to be a robust season.
Joshua Redman, Pat Metheny, Luciana Souza, and a Bill Frisell/Ambrose Akinmusire double bill highlight a season that also includes the free, walkable “Jazz Along the Charles” showcase.
On Friday, Davis releases “Live at the Village Vanguard,” one of only a handful of women instrumentalists to lead recording sessions at that storied New York club.
“I like to think of myself as like a collector of sounds,” says the Cambridge native, who’ll be performing a Stevie Wonder tribute at the Regent Theatre in Arlington on Friday.
Jackson’s presentation — warm, inviting, vastly knowledgeable, unpretentious — earned him a fiercely loyal audience, which probably accounts for his longevity on the Boston airwaves.
The 22-year-old singer has been on a trajectory since winning the Sarah Vaughan International Jazz Vocal Competition in 2019, and the performance at Scullers showed why.
The events of his life became the images that haunted him, and they mirrored his own struggles as an artist, grappling with representation vs. abstraction as well as the social unrest of the times.
Vadim Neselovskyi plays a solo recital of his new work, “Odesa: A Musical Walk Through a Legendary City,” Saturday at Berklee’s David Friend Recital Hall. Proceeds will go to Ukrainian humanitarian relief efforts.
Frontman Ian Hunter, approaching his 80th birthday, led the band through a 105-minute set, singing every song and even shouting out a few high-note climaxes.