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Jon Caramanica

Jon Caramanica

Music & Television Critic at The New York Times

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Location
United States
Covering topics
  • Media
  • Music
Languages
  • English
Influence score
51
Media Database
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Jon Caramanica
nytimes.com

What Happens Next for Kendrick Lamar and Drake? Let's Discuss. - The New York Times

After a week of bitter diss tracks, a conversation about how the rap battle played out for the chart-topping rappers and how their personas and careers might be affected.
nytimes.com

Tremaine Emory on His Tenure at Supreme, His Health and What’s Next...

Streetwear’s Black history raconteur survived Kanye, Supreme and a near-death experience. But can he survive the internet?
nytimes.com

Will Country Welcome Beyoncé? That's the Wrong Question. - The New ...

“Cowboy Carter” is an extension of the pop superstar’s exploration of how Black creativity fuels all corners of popular music. She’s embracing the music, not the industry.
nytimes.com

7 Artists Shaping the Sound of 2024 - The New York Times

Hear songs from Tanner Adell, Bizarrap and Young Miko, and more.
nytimes.com

Onstage in Chicago, Zach Bryan Howled, and the Crowd Found Its Voic...

The singer and songwriter has become one of pop’s least expected new stars. On opening night of his arena tour, he showcased the bond with his fans that brought him there.
nytimes.com

Disgraced but Embraced: Pop Culture Pariahs Are Making Big Comeback...

Shane Gillis hosted “S.N.L.,” the show that rebuffed him. Ye topped the Billboard chart after making antisemitic remarks. Has the mainstream given up on banishing bad actors?
nytimes.com

Olivia Rodrigo Guts World Tour: Testing Out Life After Girlhood - T...

The opening night of the pop star’s Guts World Tour had sparkle and abandon, but making her songs feel big didn’t require much besides the songs themselves.

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nytimes.com

‘Vultures 1’: Where the New Ye Meets the Old Kanye - The New York T...

“Vultures 1,” the rapper’s album with Ty Dolla Sign, arrived on the 20th anniversary of his debut, “The College Dropout.”
nytimes.com

Usher Super Bowl Halftime Review: A Focus on Details With Alicia Ke...

In a halftime set that touched on more than a dozen songs, the R&B star delivered a raucous Atlanta party and a lesson in intimate showmanship.
nytimes.com

Toby Keith’s Music and Politics Were More Complicated Than You Migh...

His choice to become a post-9/11 culture-war champion overshadowed the work of a musician who was funnier, subtler and more politically slippery than his most famous work let on.
nytimes.com

Olivia Rodrigo Has Seen the World Now, and She's Livid - The New Yo...

On her second album, “Guts,” which flaunts rock brashness and singer-songwriter intimacy, the sudden pop star is showing just how fraught life is at the top.
nytimes.com

The Grammys Aim for a Big Tent, but Not Everyone Feels at Home - Th...

The most awarded artists were diverse on Sunday night. How those winners received their honors, however, differed mightily.
nytimes.com

Olivia Rodrigo's 'Vampire' Takes a Note From Taylor Swift: Leave a ...

The pop singer’s new single dismantles a former paramour who was entranced by fame, borrowing a tactic from Swift’s career-shifting “Dear John.”
nytimes.com

André 3000 Brings His Solo Album ‘New Blue Sun’ to the Stage - The ...

Performing live for the first time with musicians from his solo LP, the onetime Outkast rapper played various flutes, said little and tried to change perceptions.
nytimes.com

Is TikTok Over? - The New York Times

The app once offered seemingly endless chances to be charmed by music, dances, personalities and products. But in only a few short years, its promise of kismet is evaporating.
nytimes.com

Is ‘J Christ’ Lil Nas X’s Final Troll? - The New York Times

The rapper and singer has always been a master of the internet, not of music. But with his latest release, “J Christ,” he’s lost his grip on virality, too.
nytimes.com

Tales of the Black Underworld Fuel Hip-Hop. His Feed Recounts Them....

ValTown, an account on X and other social media platforms, spotlights gangs and drug kingpins of the 1980s and 1990s — and how crime and celebrity often intersect.
nytimes.com

Mixtapes, T-Shirts and Even a Typeface Measure the Rise of Hip-Hop ...

New books collecting objects central to rap’s physical history demonstrate the importance of celebrating these relics before they vanish.
nytimes.com

Jelly Roll, an Unlikely New Star, on the Grammys and His Rap Past -...

An interview with one of the year’s surprise success stories in the music industry, who’s become known as much for emotional openness as for hit songs.
nytimes.com

Country Music in 2023: The Personal Overtook the Political - The Ne...

A few weeks of political brouhaha this summer obscured a different story: The genre is moving, in fits and starts, from the political to the personal.
nytimes.com

Nicki Minaj, a Role Model for Herself, and Others - The New York Times

On “Pink Friday 2,” the rapper remains a star navigating hip-hop on sometimes untested terms. But even as she’s receded from the center of the genre, her lessons remain.