John Schneider

The stage direction, music, acting and design are terrific in this warmly comedic exploration of our hope for happy endings.

Everything flows in Michael Pink’s latest revision of the classic. Rather than a series of scenes, it’s a non-stop dream from start to finish.

Michael Pink’s unique vision of the tale means lots of brand new choreography and the second act is basically a new ballet.

Glad It’s Raining was the new group’s third performance in Milwaukee. They’ve also shown work in Los Angeles and Chicago.

The full-length dance performance at the Marcus PAC explored an overwhelming state of being rather than telling a story.

The choreography was a mix of ordinary movements—lying or sitting in various positions, sometimes with a phone in hands—and skilled, energetic, full-bodied dancing.

Casanova was a musician, writer, teacher, thinker; deeply caring and a more complex character than ballet generally attempts to bring to life.

Site specific dance has been the Wild Space specialty for nearly 40 years. Next up: a new show at Davidson Park.

Three highly original, contrasting pieces showed the dancers at their best in terms of virtuosity, in-the-moment presence, and complete communion with the choreography, the music, and each other.

Past winners of the Ballet’s prestigious Genesis International Choreographic Competition present new work.