Joe Utichi

Gillian Anderson has been a British national treasure for many years. This may seem incongruous to state definitively of a Chicago-born actress who first rose to prominence playing an FBI agent on a hit network show, but it is what it is. The year The X-Files ended, Anderson moved to London, and she has lived […]

Deadline’s Sound & Screen Television has kicked off at UCLA’s Royce Hall for yet another of our showcase awards-season events. Sound & Screen has always been a favorite of the Deadline team, and our audience, not least for the magic it captures when the music behind 10 the year’s most exciting television series is performed […]

Debra Granik put stars like Jennifer Lawrence and Thomasin McKenzie on the map with her films Winter’s Bone and Leave No Trace respectively. After Good One premiered in Sundance and then went to Cannes’ Directors’ Fortnight, there’s a sense that India Donaldson has just done the same thing for Lily Collias. As the positive buzz […]

It is three o’clock in the morning at a blackjack table inside Las Vegas’s sprawling Caesar’s Palace casino. A woman in town on business has just turned a $150 bankroll into $800, and she moves to retire to the nearby bar to buy her work family, whose fortunes at the same table have varied, a […]

The Second Act Director: Quentin DupieuxSales agent: KinologyCast: Léa Seydoux, Louis Garrel, Vincent Lindon, Raphaël QuenardDeadline’s takeaway: Maybe Quentin Dupieux should have paid more attention when he was writing; maybe he should have spent longer in the editing suite. But if the results are always a bit ragged, does it matter? Dupieux might never make a masterpiece, […]

Game, set and match for Tudor Giurgiu, Cristian Pascariu and Tudor D. Popescu, who co-direct Nasty, a pleasingly hagiographic portrait of Romanian tennis icon Ilie Năstase. What fun tennis must have been in the 1970s, as it was on the turn from a knockabout sport into the sharp-footed profession it is today. Năstase and his […]

It has been seven years since Alejandro G. Iñárritu and Emmanuel Lubezki presented CARNE y ARENA at the Cannes Film Festival. In an airport hangar 20 minutes down the coast from the Palais, the pair had created a vast volume with a sand floor as participants strapped into a virtual reality headset and found themselves […]

Stalwart Sixth Generation Chinese filmmaker Jia Zhangke leads his partner and muse, Zhao Tao, on a decades-long romantic odyssey in Caught By the Tides, which tries too hard to play with time and form for the connection between its leads to be its central preoccupation. Measured in silence interspersed with moments of dance and music […]

Surreal. That’s how Misan Harriman describes his first time at the Academy Awards earlier this year. Six years before, his wife had bought him a Fujifilm X100 for his 40th birthday and encouraged him to start taking pictures with it. Then there he was, surrounded by the global industry’s most overachieving, himself an Oscar-nominated director. […]

Rithy Panh's return to the Killing Fields with Rendez-vous avec Pol Pot, a movie that spotlights the importance of today's conflict journalists.

Andrea Arnold was last in Cannes with Cow in 2021, a documentary about a bovine’s pitiful existence on a farm from birth to death. Her new film, Bird, might switch animal classifications — and return her to narrative features about human beings — but there’s connective tissue between the two. Once more, Arnold is perfecting […]