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Jennifer Wilson

Jennifer Wilson

Contributor and Staff Writer at The New Yorker

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69
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Location
United States
Languages
    Covering topics
    • Books
    • Entertainment

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    Recent Articles

    newyorker.com

    The Prime Minister Who Tried to Have a Life Outside the Office

    As the thirtysomething leader of Finland, Sanna Marin pursued an ambitious policy agenda. The press focussed on her nights out and how she paid for breakfast.
    newyorker.com

    Chris Kraus Reinvents the True-Crime Novel

    Her début, “I Love Dick,” was an epistolary memoir of erotic obsession that redefined the form. In “The Four Spent the Day Together,” she turns another genre on its head.
    newyorker.com

    Jennifer Wilson on Susan Orlean’s “Orchid Fever”

    Jennifer Wilson on Susan Orlean’s “Orchid Fever”
    newyorker.com

    When Your Parents Aren’t Your Parents

    From the daily newsletter: Jennifer Wilson on the family fallout of DNA surprises.
    newyorker.com

    The Family Fallout of DNA Surprises

    Through genetic testing, millions of Americans are estimated to have discovered that their parents aren’t who they thought. The news has upended relationships and created a community looking for answers.
    newyorker.com

    Nordic Echoes

    Nordic Echoes
    newyorker.com

    How I Learned to Become an Intimacy Coördinator

    At a sex-choreography workshop, a writer discovered a world of Instant Chemistry exercises, penis pouches, and nudity riders to train for Hollywood’s most controversial job.
    newyorker.com

    Katie Kitamura Knows We’re Faking It

    The novelist discusses her new book, “Audition,” the role of performance in everyday life, and the trick of crafting a narrative that functions as a “Rorschach blot.”
    newyorker.com

    What Do We Buy Into When We Buy a Home?

    Homeownership, long a cherished American ideal, has become the subject of black comedies, midlife-crisis novels, and unintentionally dystopic reality TV.
    newyorker.com

    Jhumpa Lahiri’s Writing Career Began in Stolen Notebooks

    The author surveys school book reports and some fan mail, from M. Night Shyamalan, in her archives, which she recently sold to the New York Public Library.
    newyorker.com

    What Professional Organizers Know About Our Lives

    Overwhelmed by too much stuff, we hire experts to help us sort things out. But what’s really behind all the clutter?
    newyorker.com

    How to Break Up Better

    From the daily newsletter: the booming heartbreak industry. Plus: the President of South Korea’s fragile position; twenty-four essential reads of 2024; and Lucy Grealy’s memoir of being seen.
    newyorker.com

    The New Business of Breakups

    After getting dumped (by text), a writer investigates the feverish boom in heartbreak apps, breakup coaches, and get-over-him getaways.
    newyorker.com

    Eve’s Memoir, “Who’s That Girl?,” and Other Questions

    The Philadelphia-born rapper on stage clothes (“Jumpsuit, bitch!”), the Diddy situation, and her run-ins with Questlove and Jay-Z. It’s a Philly thing.
    newyorker.com

    The Brothers Grimm Were Dark for a Reason

    Their version of “Cinderella” or “Rapunzel” could be disturbing. But turning Germany into a unified nation, they believed, meant unearthing its authentic culture.
    newyorker.com

    Brighton Beach Goes Hollywood

    Sean Baker, who directed the action rom-com “Anora,” meets the actors Karren Karagulian and Vache Tovmasyan for a tour of Russophone Brooklyn, where the cast lived during filming.
    newyorker.com

    Law Roach, the Architect of Zendaya’s Red-Carpet Style

    How Law Roach turns his clients into fashion icons.
    newyorker.com

    Elizabeth Banks Likes Makeup That Smells Like Her Grandma

    The actress (“The Hunger Games,” “Pitch Perfect”), director (“Cocaine Bear”), and producer (“Bottoms”) talks facials and lipstick in honor of her role in the new thriller “Skincare.”
    newyorker.com

    Taffy Brodesser-Akner’s Scabrous Satire of the Super-Rich

    Not so with the Fletchers, the “extraordinarily, absurdly, kidnappably rich” family at the heart of “Long Island Compromise” (Random House), by Taffy Brodesser-Akner. When Carl Fletcher is abducted outside his estate, in 1980, his family quickly coughs up the cash; Carl’s wife, Ruth, withdraws two hundred and fifty thousand dollars from the bank like she’s getting a coffee to go. (She is married to the heir to a Styrofoam fortune, after all.) She delivers a briefcase with the money to a baggage…
    newyorker.com

    The Unfiltered Charm of Jet’s Beauties of the Week

    Decades before Instagram, the magazine’s legendary column democratized the thirst trap.
    newyorker.com

    Malika Andrews Plays Through the Pressure

    The ESPN star’s reporting on divisive subjects, including allegations of violence against women, has been as risky as it is refreshing.