Piet Mondrian pioneered abstract painting. But he kept painting flowers — flowers that our critic Jason Farago can’t stop thinking about. What makes them so magnetic?
Anne Imhof’s three-hour spectacle of moody youth at the Armory is sweet sorrow, full of moping and muttering. Still, almost despite itself, it points to true art.
The first major U.S. exhibition of Germany’s great Romantic painter is a historic showcase. It’s also a blueprint for how to think, and how to feel, in a changing environment.
Exactly 150 years ago, Monet, Degas, Renoir and their pals spurred an artistic revolution. Can we still see the defiance behind the beauty, and the schmaltz?
The sprawling California festival “PST Art” promises a dialogue between “two cultures.” But painting and physics may have more in common than their practitioners know.