James Poniewozik

A gripping, enigmatic series from the creator of “Breaking Bad” delivers the end of the world as we know it, and (almost) everybody feels fine.

Oh my God, OK, it’s happening! From social-media posters to the F.C.C. chair, we are all living in Michael Scott’s world.

In his angry-dad conspiracy thriller, Tim Robinson takes his surreal comedic persona on a longer, weirder journey.

Tim Robinson’s sketch show returns with more painfully recognizable losers (and more hot dogs).

After two years of war and acrimony, “Red Alert” and “One Day in October” focus on the horrors of a single day.

Sterlin Harjo’s scrappy noir follow-up to “Reservation Dogs” has the same deep sense of place but a lot more beat-downs.

Sterlin Harjo’s scrappy noir follow-up to “Reservation Dogs” has the same deep sense of place but a lot more beat-downs.

Another media company caved after pressure from a Trump official, and the chilling effect got a few degrees colder.

The sci-fi series, like the social-media horror story “Adolescence,” speaks to the fear of children being sacrificed to technology.

The team from “The Office” has a new comedy of decline, but it still needs to figure out what its story is.