Jake Nevins

An assimilationist and a liberationist play cat-and-mouse in Zak Salih’s debut novel Let’s Get Back to the Party.

Across all performative mediums, today’s Deaf creatives are celebrating, protecting and sharing their distinct mode of communication.

She’s still better than almost anyone — but she’s no longer unbeatable.

The Attack on Voting in the 2020 Elections  The New York Times

Without the raucous New York crowd to propel them, players must rely even more on their own mental fortitude.

People love success. But can they learn it?

I played Taps for my fallen brothers-in-arms after a kamikaze pilot attacked our ship during World War II. I now play it every year on Memorial Day.

Until recently, gay literary characters had to hide their identities. But even now the closet — and the lies and concealment it implies — remains a surprisingly potent metaphor.

Are Americans as willing to making sacrifices today in response to the coronavirus, compared to in the 1940s? A historian explains.

Rikers Island Inmate Tests Positive for Coronavirus, in a First for New York City  New York Magazine

After the Germans had consolidated in northwestern Yugoslavia, I told my parents I wanted to become a freedom fighter.

Jorge Ramos on the Univision Sale, 2020, and Latino Trump Voters Feeling ‘Vindicated’  New York Magazine

John Kerry Denies Report He Is Considering Run Against Bernie Sanders  New York Magazine

Finding clarity amid the distortions of speech.

A Times series documenting lesser-known stories from World War II. Email: AtWar@nytimes.com

Sure, the relevant law was written in 1964 — but what do the words say?

What is it about human beings that makes us want to see the unseen? We sent photographers across the world to find out.

Far beneath the rainforest floor, in a pair of remote national parks, lie some of the world’s oldest signs of human activity.

A ragged industrial field 150 miles south of Washington has become a crumbling shrine to presidential history.

Strewn with shipwrecks and bleached bones, the landscape is a reminder of how impermanent civilization is.