Isabella Smith

The much-anticipated fair returns to Paris for ‘a second inaugural edition’ with a whole new section and a greater emphasis on public programming, writes Isabella Smith

Modern Italian artists rub shoulders with Titian and Bronzino at the Biennale Internazionale dell’Antiquariato in Florence (BIAF), writes Isabella Smith

Isabella Smith talks to the social historian who saved the David Parr House in Cambridge – and is helping to save other extraordinary homes that belonged to ordinary people

The Puerto Rican curator, writer and director of a New York public art programme tells Apollo about the creative potential of cuteness

From satirical chamber pots to cat-shaped jugs, Henry Willett’s collection of popular ceramics displays wit, horror and political zeal, writes Isabella Smith

The International Art Magazine

Life’s a beach on Long Island, which this summer hosts a wealth of modern and contemporary work, writes Isabella Smith

The International Art Magazine

The International Art Magazine

The International Art Magazine

The International Art Magazine

As displays using digital techniques to enliven familiar works of art are on the rise, Isabella Smith asks if they can change our understanding of the art itself

There are plenty of new discoveries to be made at the Paris fair focused on fine draughtsmanship, writes Isabella Smith

The annual event brings together museums, auction houses and dealers, providing plenty of artistic surprises and much to appeal to smaller collectors, writes Isabella Smith

Behind the artist’s enjoyably exuberant artworks is a serious concern with rewiring language and remaking bodies, writes Isabella Smith

This year’s edition of the Brussels fair is full of dreamlike offerings, writes Isabella Smith

Yoko Ono and Sophie Calle are the subject of major retrospectives while museums also have more material concerns, writes Isabella Smith

Yoko Ono and Sophie Calle are the subject of major retrospectives while museums also have more material concerns, writes Isabella Smith

Ambitious arts programming has transformed the fortunes of the French city since it experienced tough times in the 1980s

Simon Costin talks to Apollo about being the custodian of the largest collection of occult objects in Europe and the modern interest in all things supernatural