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Igor Toronyi-Lalic

Igor Toronyi-Lalic

Arts Editor at The Spectator - Editorial

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Influence score
21
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Location
United Kingdom
Languages
  • English
Covering topics
  • House
  • Books
  • Music
  • Entertainment

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Recent Articles

spectator.co.uk

Out of this world | 11 July 2019 - The Spectator

In Stockhausen’s Klavierstück XI hands become fists, arms and elbows clubs, shoving, pounding and ker-pow-ing the keyboard to near oblivion. No wonder Pierre-Laurent Aimard had slipped on a pair of gloves before starting to stop his fingers from bruising or bleeding. The sound created is monstrous, alarming, thrilling. Aimard threw the full weight of his
over 6 years ago
spectator.co.uk

A lockdown masterpiece and the Jessica Rabbit of concertos ... - Th...

So it finally happened: I experienced my first vocal setting of the word ‘Covid’. An encounter that was, inevitably, more harrowing than when I caught the virus itself. ‘Coviiiiiiid!’ yowled the singer, while the orchestra emitted a boom, crack, snap, rumble rumble, shriek, bang, dissonance dissonance. Rice Crispies fans, eat your heart out. It was
about 4 years ago
spectator.co.uk

Modernism's back, baby: Huddersfield Contemporary Music Festival .....

It’s not everyone’s idea of fun, a trip to Huddersfield in the depths of November. But as any veteran of Huddersfield Contemporary Music Festival knows, it usually pays off. Sure, none of the venues has a bar; the programming is as carefully curated as a b2b trade show, the main hall about as cosy as
about 4 years ago
spectator.co.uk

Apocalyptic minimalism: Carl Orff's final opera, at Salzburg Festiv...

‘Germany’s greatest artistic asset, its music, is in danger,’ warned The Spectator in June 1937. Reporting from the leading new-music festival in Darmstadt, the correspondent mentioned only one première of the two dozen on offer: ’The most important achievement was the scenic cantata Carmina Burana by Carl Orff, a piece that would have been impossible
over 3 years ago
spectator.co.uk

Apocalypse chic: Autechre, Last Days and Southbank's Xenakis day .....

It was so dark, my friend noted, you could have had sex or done a Hitler salute. No stage lights, no stair lights, no desk lights, no door lights, no usher lights, no exit signs. The few wisps of illumination that did steal in created colossal shadows, giants freeze-framed on the walls. In these snatches
about 3 years ago
spectator.co.uk

The Spectator film critic who transformed cinema - The Spectator

Weekly magazine featuring the best British journalists, authors, critics and cartoonists, since 1828
about 2 years ago
spectator.co.uk

In Bermondsey I heard the future – at the Barbican I smelt death: n...

Weekly magazine featuring the best British journalists, authors, critics and cartoonists, since 1828
almost 2 years ago