Ian Cohen

With spruced-up production highlighting new subtleties in their sound, yet never abandoning their melodic fundamentals, the Cleveland indie rockers’ latest radiates a renewed sense of purpose.

The Austin duo’s hushed and unassuming double album is a capstone to their career so far, a scrapbook of moments of love and loss from a life well-lived.

On the Kentucky metalcore band’s titanic fourth album, they’ve amplified and concentrated their sound into something so potent that it has its own gravitational pull.

Reconnecting with his heartland rock roots, John Rossiter interrogates his artistic impulses and creates his most magnetic and direct record to date.

Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the apex of the infamous UK band, a hedonistic and sampledelic Madchester masterpiece that reinvented post-punk for the rave era.

Self-funded, self-released, self-produced, and self-referential, the Welsh rock band’s seventh album has a big-tent sound with all the requisite wit and panache. It is unquestionably the ultimate Los Campesinos! album.

Read Ian Cohen’s review of the album.

Read Ian Cohen’s review of the album.

Read Ian Cohen’s review of the album.

Read Ian Cohen’s review of the album.