Holland Cotter

She had to settle for the kitchen as her studio but Lee Krasner finally gets her share of the spotlight at the Metropolitan Museum of Art.

Holland Cotter’s highlights include a panoptic view of Roy Lichtenstein, storytelling surprises of the Lucas Museum of Narrative Art, and activism from Colombia to South Asia to New York.

“I Am Tony,” the artist’s largest museum survey to date, carries a powerful message about identity “forged in the holds of slave ships.”

The Japanese artist’s polka-dot-covered paintings, phallic sculptures and public performances caused a stir in New York City and Europe in the 1960s.

The New York Historical’s expansive Tang Wing highlights the role of protest for America’s 250th anniversary.

Six history-rich shows at the Smithsonian Institution are a culturally-representative accounting of this nation’s history, our critic says. See them before they close.

Whether in Los Angeles, in his native England or traveling the world, the artist always reinvented the world he saw, with psychological insight.

His colorful figurative paintings were both conservative and iconoclastic, defying the dominant abstract schools of the mid-20th century.

The sixth edition of the Studio Museum in Harlem’s group survey is political but inwardly focused, operating at a quieter metabolism.

The reopening of the Studio Museum in Harlem, after seven years of construction, comes with dazzling alumni and collection shows.