newyorker.com
Hilton Als
Staff writer
The giddy joy you may feel when you enter MOMA’s Projects Room to see Tadáskía’s installation, “ave preta mística mystical black bird” (2022), co-presented by the Studio Museum in Harlem, is due in part to the show’s scale. The thirty-one-year-old mononymous Brazilian artist (pictured here) has taken the room’s very tall walls and created an intimate yet expansive atmosphere. Working deftly, lyrically, with charcoal and colored pastels, Tadáskía’s fine hand has produced a…
5 months ago