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Hilton Als

Hilton Als

Theatre Critic at The New Yorker

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United States
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  • English
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  • Media

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Recent Articles

newyorker.com

Hilton Als on the Sui-Generis Films of Charles Atlas

Hilton Als Staff writer Charlie Atlas was the first director to ask me to write for film. This was a long time ago—the mid-nineteen-eighties—and he was trying to complete a movie called “Ex-Romance,” which featured two of his stars, the dancer-choreographers Karole Armitage and Michael Clark. The idea was that I would write some bits to help tie the film together. It was such a flattering thing, to be hired by Charlie—because by then he was already a legend. Raised in St. Louis, he landed in New…
newyorker.com

Ray Johnson

Ray Johnson
newyorker.com

Tadáskía’s Awe-Inspiring Art, at MOMA

Hilton Als Staff writer The giddy joy you may feel when you enter MOMA’s Projects Room to see Tadáskía’s installation, “ave preta mística mystical black bird” (2022), co-presented by the Studio Museum in Harlem, is due in part to the show’s scale. The thirty-one-year-old mononymous Brazilian artist (pictured here) has taken the room’s very tall walls and created an intimate yet expansive atmosphere. Working deftly, lyrically, with charcoal and colored pastels, Tadáskía’s fine hand has produced a…
newyorker.com

Hilton Als on Nora Burns’s Memory Play “David’s Friend”

Also: the mysterious folksinger Jessica Pratt, “Le Prophète” at Bard SummerScape, Molly Fischer’s book picks for new parents, and more.
newyorker.com

Reynaldo Rivera: Fistful of Love/También la belleza

Reynaldo Rivera: Fistful of Love/También la belleza
newyorker.com

Daughters

Daughters
newyorker.com

Meredith Monk Finds the Joy and the Necessity of the Collective

Also: First-person documentaries, Remi Wolf’s funky soul pop, the Met Opera’s new season, and more.
newyorker.com

Suzanne Jackson’s Natural World

The artist captures the ephemeral and transformative power of light.
newyorker.com

The House That Alvin Ailey Built

In “Revelations” and other works, the choreographer created a home for Black dancers.
newyorker.com

Elisheva Biernoff’s Family of Man

The artist’s poignant paintings reproduce the photographs of strangers.
newyorker.com

The Elegiac Art of Robert Frank

Also: Rachel Syme samples opulent advent calendars, Helen Shaw reviews “Tammy Faye” and “A Wonderful World,” “Emilia Pérez” is streaming, and more.