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Helen Shaw

Helen Shaw

Staff Writer at The New Yorker

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    Covering topics
    • Entertainment

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    Recent Articles

    newyorker.com

    Laurie Metcalf’s Stunning Return to Broadway in “Little Bear Ridge Road”

    The playwright Samuel D. Hunter tailors a family drama to the actress’s specific gifts; at Powerhouse: International, the artist Carolina Bianchi explores violence against women.
    newyorker.com

    A Superbloom of Daring Theatre Hits New York

    Also: Ben and Amy Stiller’s poignant documentary about their parents, the lustrous songs of Neko Case, a new dive bar with pizza, and more.
    newyorker.com

    The Unexpected Sweetness of Bill and Ted’s “Waiting for Godot”

    The British buzz merchant Jamie Lloyd directs Alex Winter and Keanu Reeves in Samuel Beckett’s 1954 tragicomedy; plus, “All Right. Good Night.,” from Rimini Protokoll.
    newyorker.com

    Yasmina Reza’s “Art” Feeds Our Appetite for Argument as Entertainment

    Bobby Cannavale, James Corden, and Neil Patrick Harris play friends who spar over almost everything.
    newyorker.com

    The Return of Tarell Alvin McCraney’s Masterpiece, “The Brothers Size”

    A gifted cast elevates the poetic drama at the Shed.
    newyorker.com

    A Merry and Rambunctious “Twelfth Night” in Central Park

    At the newly renovated Delacorte, Saheem Ali directs a celebrity-packed production that is comically inventive but rarely stirring.
    newyorker.com

    A Season of Unease at the Edinburgh Festival

    In this year’s offerings, the mood ranged from baffled sorrow to laughter in extremis, reflecting our unsettled times.
    newyorker.com

    2025 Fall Culture Preview

    What we’re watching, listening to, and doing this fall.
    newyorker.com

    Tennessee Williams in Williamstown

    Jeremy O. Harris, at his first Williamstown Theatre Festival as creative director, turns up the heat under rare works by the great Southern playwright.
    newyorker.com

    Summer Is the Time for Off Broadway Comedy

    Also: Superheroic sentimentality in “The Fantastic Four,” the popular crowd goes down in “Heathers: The Musical,” the arcane mythology of Lord Huron, and more.
    newyorker.com

    Women Playwrights Lose the Limelight

    After years of progress in diversity, many companies’ upcoming slates feature mostly, and in some cases entirely, male-writer lineups. The backslide has prompted an outcry.