Harry Khachatrian

In David Michod’s latest film, Christy, Sydney Sweeney embodies the title role with ferocity and conviction.

In its best moments, Nobody Wants This captures the slow, ordinary miracle of learning to believe in something, someone, or perhaps both.

Its socialist canards aside, "Good Fortune" is a witty and genuinely funny comedy driven by charismatic performances.

"31 Candles" is a low-budget coming-of-age romantic comedy driven by sincere, relatable characters and a refreshingly thoughtful screenplay.

Just as he once transformed Adam Sandler in Uncut Gems, Benny Safdie now turns Hollywood’s most bankable superhero into something far more captivating.

Paul Thomas Anderson clearly wants to romanticize militants the way filmmakers Martin Scorsese or Francis Ford Coppola romanticized mobsters.

The first North American concert in Noel and Liam Gallagher's reunion tour celebrates a bygone era, in music and the world.

There’s a scene in the latest South Park episode, “Got a Nut,” in which Homeland Security Secretary Kristi Noem leads a squad of Immigration and Customs

Watching The Naked Gun (2025), Akiva Schaffer’s remake of the 1988 slapstick classic, I got the impression he had been waiting his whole life to make this

Superhero fatigue isn’t inevitable, if a filmmaker is willing to show relatable characters fighting personal battles.