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Harry Khachatrian

Harry Khachatrian

Writer, Editor, Contributor and Film Critic at Washington Examiner

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Covering topics
  • Entertainment
  • Independent Film
Languages
  • English
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Harry Khachatrian
washingtonexaminer.com

Drive-Away Dolls’ covert conservatism - Washington Examiner

When the venerable filmmaking duo Joel and Ethan Coen announced a hiatus from their partnership to focus on solo projects, I was intrigued and apprehensive.
washingtonexaminer.com

Mr. and Mrs. Smith: A pro-marriage spy show? - Washington Examiner

Themes such as marriage, fidelity, and family are unlikely virtues to feature prominently in a story about contract killers, especially one made today.
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Argylle: A spy comedy that misses its mark - Washington Examiner

Matthew Vaughn, the British filmmaker who burst onto the scene with his hit debut mob thriller Layer Cake in 2004, has since carved out a niche for himself in the realm of flashy, lighthearted action flicks. Known for his visually striking and over-the-top fight sequences synced to music, Vaughn’s films such as Kick-Ass and Kingsman artfully balance graphic violence with
washingtonexaminer.com

Not so fetch: The 2024 Mean Girls musical misses the mark - Washing...

You can generally gauge the success of a musical by how long after the credits roll its melodies and lyrics continue to linger in your head. The 2024 musical remake of Mean Girls, despite boasting palpable vocal prowess among its cast, fails to evoke any such memorable earworms. Restructuring the 2004 coming-of-age comedy’s main plot points into cheesy and
washingtonexaminer.com

Harry Khachatrian - Washington Examiner

Political News and Conservative Analysis About Congress, the President, and the Federal Government
washingtonexaminer.com

The Holdovers revives the art of character-driven cinema - Washingt...

From the sprawling array of films to come out in 2023, none were as surprisingly memorable or endearing as director Alexander Payne’s comedy-drama The Holdovers.Set against the somber backdrop of a New England boarding school during the Christmas break of 1970, the film draws inspiration from such coming-of-age classics as The Dead Poet’s Society and
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Killers of the Flower Moon is not your typical Scorsese film - Wash...

Martin Scorsese is widely recognized for crafting films centered on gritty criminal underworlds and the lavish lifestyles of their gangster overlords, from Mean Streets (1973) to The Wolf of Wall Street (2013) and, most recently, The Irishman (2019). However, Scorsese’s latest crime epic, Killers of the Flower Moon, veers away from many of the venerable

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washingtonexaminer.com

Dumb Money isn’t as smart as it thinks - Washington Examiner

A scene midway through Dumb Money, the new movie about the 2020 GameStop stock saga, features Keith Gill, more infamously known as Roaring Kitty, lamenting, “The whole idea of the stock market was if you were smart, and maybe with a little luck, you could make your fortune.” This is but one of the many
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The Equalizer 3 is a fitting conclusion to the action trilogy - Was...

Through crime classics such as Goodfellas or The Godfather, we’ve often come to romanticize mobsters for their wise guy, wanton indifference to the law, often overlooking the less glamorous ramifications of their escapades. Director Antoine Fuqua’s finale to the Equalizer trilogy, however, offers no such glamour, instead labeling their debauchery as a cancer.Reprising his role as Robert
washingtonexaminer.com

Stop ruining Oliver Anthony’s ‘Rich Men North of Richmond’ - Washin...

Singer-songwriter Oliver Anthony became an overnight country-folk superstar earlier this month when his independently released single, “Rich Men North of Richmond,” skyrocketed to No. 1 on the Billboard Hot 100.With its sparse arrangement, featuring only Anthony’s raspy vocals and twangy Bobtail guitar, and such timely and poignant lyrics as, “It’s a damn shame / What
washingtonexaminer.com

The faults in our stars: Lizzo and the flaws of celebrity worship -...

There’s a certain allure to surprising celebrity news that sends us flocking to social media, ready either to pile onto the criticism or indignantly defend our favorite stars caught in their latest scandals. Take, for instance, the meteoric rise and the current unfurling of Lizzo. Bursting onto the mainstream pop scene with her third studio