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Harry Khachatrian

Harry Khachatrian

Writer, Editor, Contributor and Film Critic at Washington Examiner

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Email address
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Influence score
50
Phone
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Location
United States
Languages
  • English
Covering topics
  • Entertainment
  • Independent Film

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Recent Articles

washingtonexaminer.com

How to Make a Killing turns nepotism into a blood sport

Filmmaker John Patton Ford’s sophomore feature, How to Make a Killing is a sadistic dark comedy about temptation.
washingtonexaminer.com

Pixar’s Hoppers turns activism into children’s entertainment

Disney-Pixar’s latest film, Hoppers, introduces Mabel Tanaka (Piper Curda), an irritable young activist with the zeal of Greta Thunberg.
washingtonexaminer.com

The Drama skewers a culture of manufactured outrage

A wickedly clever dark comedy, The Drama skewers a culture that can't tell real evil from taboo thought crimes. Zendaya and Robert Pattinson shine.
washingtonexaminer.com

Michael Jackson biopic revives the American ideal of earned greatness

Antoine Fuqua’s "Michael" is as much about the making of a star as it is about the memory of a more unified popular culture.
washingtonexaminer.com

The devil wears Lululemon

If the original Devil Wears Prada remains one of the defining comedies of the 2000s, the sequel is a largely forgettable addendum.
washingtonexaminer.com

Andy Serkis turns Animal Farm into anti-capitalist slop

George Orwell's original message is ignored by the film's attempt to blame the rich for the Marxist farm's failure.
washingtonexaminer.com

America 250: How the US took over the world’s jukebox

From Louis Armstrong to Elvis Presley to Michael Jackson, America's musical legacy outshines all others in modern times.
washingtonexaminer.com

In Disclosure Day, Steven Spielberg wants us to trust the aliens

With dubious moral thinking, Disclosure Day is a weak exploration of how we should handle alien cover-ups.
washingtonexaminer.com

Toy Story 5 finds the toys replaced by tablets

Toy Story 5's critique of childhood tech use starts out strong, but falters into compromise as the movie goes on.
washingtonexaminer.com

Marvel keeps thinking bigger. Spider-Man: Brand New Day succeeds by...

Spider-Man: Brand New Day reminds one of older Marvel titles while still making use of the cinematic universe's newer gimmicks.
washingtonexaminer.com

One Night Only finds romance in a culture that has forgotten intimacy

Despite its absurd premise, the film paints traditional romance in a positive light when compared to relativistic hedonism.