Dominique Fung’s latest works, on view at Nicodim Gallery in L.A., grapple with Orientalism and Asian femininity, enticing her audience with ominous surrealism.
In his 2019 painting pop cultural spin on the venerated genre of history painting, Sam McKinniss depicts the contemporary tragedy of Lindsay Dee Lohan.
Since buying a photograph by Aïda Muluneh in 2018, Lisa Young and Steven Abraham have amassed an impressive collection of works by emerging artists of color.
The Asia Society triennial, “We Do Not Dream Alone,” is the first major recurring show in the U.S. dedicated to contemporary art of Asia and its diaspora.
On view at the Forbidden City’s Palace Museum in Beijing, “Odyssey and
Homecoming” marks the former imperial palace’s first solo exhibition of
contemporary art.
“The Realm of Appearances” at the Dallas Museum of Art is a celebration of Matthew Wong’s artistic talent, not an ahistorical focus on his tragic death.
Qualeasha Wood’s fiberworks capture her experiences in the digital age—encounters that veer from idolatry and fetishization to digital surveillance and doxxing.