Hannah Giorgis

Kamala Harris’s position in an unpopular White House made her a tricky messenger for idealistic visions of the future.

The Bad Boy Records founder has been accused of mistreatment and abuse—and support for some of the allegations aired on Making the Band.

The 35-year-old hero of Hulu’s How to Die Alone is figuring out her life, and running out of time.

The hit FX/Hulu show is funny, but not “ha ha” funny, and the Emmys may have caught on.

Thousands of years into their telling, the Greek myths haven’t lost their power.

Netflix’s silliest show is the epitome of guilty-pleasure viewing. It should probably stay that way.

Hollywood sheen isn’t enough to enliven the tiresome romantic drama of Colleen Hoover’s best-selling novel, It Ends With Us.

When “Love Island USA” debuted in 2019, it wasn’t an immediate hit. But now the franchise’s cultural takeover aptly illustrates why U.S. audiences find the show—and other British reality series—so refreshing, writes Hannah Giorgis.

A new documentary examines the gymnast’s difficult decision to exit the 2021 Olympics, and the lessons she’s taking to the upcoming Summer Games.

The story of an all-female Muslim punk band trying to make it has lots of humor, and surprising depth.

A new book explores the history of the Cesarean section—and how it explains what’s broken about American health care.

R. O. Kwon’s new novel, <em>Exhibit</em>, takes an expansive view of the things that women are punished for wanting.

<em>Babes</em> isn’t perfect, but its refreshing candor still feels like an R-rated public service.

The comedian wants you to know everything about his life, but sheer voyeurism is only so revealing.

A new series about the “dark underbelly” of kids’ TV raises crucial questions about abuse in Hollywood. But it doesn’t go far enough.

Revisiting BlackPlanet, and a lost era when social media was still fun

<em>The Idea of You</em> is a modern spin on a Hollywood staple: someone famous falling for someone who’s not.

LaToya Ruby Frazier’s intimate, intergenerational portraits

Like much of America, the media mogul is feeling the cultural impact of the Ozempic era.

Two recent books dig into the crisis of modern love—and how we might forge more meaningful connections.