Hannah Edgar

After debuting in New York last summer, the exhibition “Constructing Hope: Ukraine” has opened in Chicago.

The first phase of the Pavilion renovation, addressing backstage infrastructure, is already underway.

Ed Davis, a composer and musician, talks about growing up with his famous father. The Lyric plans a free memorial concert on Feb. 15.

Review: Chicago Jazz Philharmonic’s ‘Ellingtonia’ a lively tribute to Duke

Jean-Yves Thibaudet’s concert at Symphony Center showed off his light touch, his technical wizardry and the time he has spent with this music.

The art museum devoted to work by self-taught artists has nearly completed a renovation and expansion that gives it four gallery spaces in its building on Milwaukee Avenue.

Winter is the very best time to get lost in a museum. Whittling away an entire afternoon without having to step outside once? Sign us up.

Why narrow our picks to 10 when we can include dozens of concerts through the end of March? Read on.

This summer, the free music festival runs June 11 to Aug. 16, with the usual Wednesday, Friday and Saturday evening programs.

The team behind the Hull-House Museum is looking to replicate the civically engaged work of Hull-House in some way.

His project “The Story of 400 Years” is one of several signs that the 26-year-old Collier is shrugging off the wunderkind label the jazz world has imprinted on him, once and for all.

Chicagoan of the Year in Classical Music: Composer Shawn Okpebholo’s music always means something

Shows that made us feel weightless, soothed, exhilarated, connected, whole this year.

Review: Berlin Philharmonic makes another sublime stand at Symphony Center

In a matter of days, composer and violinist Daniel Bernard Roumain is going to walk the same tightrope as many of us over the holiday season. Roumain, 53, was born to parents who were part of the f…

Russian pianist Daniil Trifonov is the orchestra’s new artist-in-residence. A well-attended recital this last weekend and a masterclass with music students on Monday were both windows into hi…

Review: At the CSO, two programs alike only in their headliner: Riccardo Muti

In a rare case of an author adapting her own work for the stage, the author is the librettist of a bilingual opera now taking shape in Michigan.

Double bills don’t get much better than this. The season led off with quartets linked to defining saxophonists: Wayne Shorter, who died last year at 89, and Charles Lloyd, who is still very much wi…

Open now at Hull-House, “Radical Craft” is a tribute — and a corrective