Hakim Bishara

This month: Wendy Red Star, Bob Thompson, Daniel Lind-Ramos, art by MFA students, and much more.

As her SFMOMA exhibition opens to the public, the artist expresses “deep regrets” over past statements revealed by Hyperallergic.

In a statement to Hyperallergic after Lisson Gallery nixed his show, the artist warned of “soft violence aimed at stifling voices” on the topic of the Israel-Palestine conflict.

Artist Ivan Forde produced the inaugural limited edition print published by Brooklyn’s Powerhouse Arts Printshop.

The guerilla protest coincided with a march for Gaza in Manhattan.

Located in upstate New York, this program provides personal attention and mentorship to aspiring filmmakers.

“What is more important? Art or the right to healthy and sustainable food?” the activists yelled.

This month: Huma Bhabha, Paul Cadmus, Kay WalkingStick, Beatrix Potter, and more.

Work by one of China’s earliest modern sculptors is celebrated in the inaugural exhibition at Liu Shiming Art Gallery in Midtown Manhattan.

The German media praised the move, accusing several international bodies of water of antisemitism.

Art-world people love lobbing this low-hanging critical fruit at the exhibition. This year especially, the moniker is ill-fitting and glib.

She leaves behind a massive corpus of visually stunning works tackling race, gender, and social justice in the United States.

At Tribeca’s trendy Spring Studios, I found an art fair in denial.

“I don’t think anybody believed I could be an artist,” the 82-year-old painter told Hyperallergic in an interview.

Gaza is everywhere across the artist’s Guggenheim show, but you wouldn’t know it.

“I’m not so interested in photography anymore,” Goldin told our senior editor. “That should be the headline,” he replied.

The artist’s latest show belongs in the toilet — and that’s exactly where he put it.

“Best Booth”? No, thank you. This year, we honor the real standouts at the fair, from the shiniest artworks to the most Duchampian.

Is this year’s fair a reflection of a tired, oversaturated, and complacent art market, or am I looking for excitement and discovery where they can no longer be found?

Her sculptures for The Met’s facade commission look like they’ve always been there, Frankensteined in the bowels of the museum’s ethnographic collections.