Gia Kourlas

Brown’s masterful, fervent dance has become an enduring classic. He and his collaborators reflect on its creation.

She was always a goddess of dance — even before her triumph in “Cry.” The Ailey star turned artistic director stretched like there was no tomorrow.

The Taylor company returns to Lincoln Center with four premieres and a new resident choreographer: Robert Battle, the former director of Alvin Ailey.

In certain circles, the name Ralph — like Merce or Madonna — lights up a room. The choreographer and visual artist is the subject of a major exhibition of his art and performances.

Carolyn Adams, the Paul Taylor dancer turned educator, is being honored at the company’s gala with a new solo by Robert Battle, her former student.

American Ballet Theater unveils “Crime and Punishment,” an ambitious, but listless new production by Helen Pickett and James Bonas.

Thirty years ago, Bill T. Jones presented “Still/Here,” and the critic Arlene Croce responded with an explosive essay. Now the work is returning to the Brooklyn Academy.

American Ballet Theater opened its fall season at Lincoln Center with premieres by Gemma Bond and Kyle Abraham in his most accomplished ballet yet.

Two dancers from the Ailey company perform part of “Night Creature” on the roof of the Whitney Museum, where the choreographer is the subject of a major exhibition.

New York City Ballet dressed up its fall fashion gala with a program of female choreographers. This was history, even if the results were mixed.