Gia Kourlas

It was a busy winter: Ashley Bouder bid farewell, Mira Nadon dazzled in “Swan Lake,” Maria Tallchief was honored and Alexei Ratmansky had another winner.

Miriam Miller, newly promoted to principal at New York City Ballet, is set to make her debut in “Swan Lake.”

The performance portion of “Edges of Ailey” at the Whitney Museum of American Art was best when it stepped away from tradition.

Ashley Bouder, the longtime New York City Ballet principal, is leaving with a final performance in “Firebird.”

Alexei Ratmansky creates a joyful new “Paquita” for New York City Ballet, giving the dancers a classical frame in which to find new versions of themselves.

Florentina Holzinger, the daring Austrian choreographer, is back with “Tanz,” a rendering of ballet horror featuring the 83-year-old dancer Beatrice Cordua.

Highlights so far of the 2025 contemporary dance festival, spread across New York City, are Symara Sarai and Leslie Cuyjet’s outstanding dances.

Monica Bill Barnes and Robbie Saenz de Viteri ring in the New Year in their physical and introspective “Many Happy Returns.”

A Ballerina Prized for Her Musicality Deals With Hearing Loss

Les Ballets Trockadero de Monte Carlo opens its season at the Joyce Theater with its vintage, vampiric “Giselle” and a new take on Balanchine.