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Gia Kourlas

Gia Kourlas

Dance Critic / Dance Writer at The New York Times

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Location
United States
Languages
  • English
Covering topics
  • Entertainment

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Recent Articles

nytimes.com

Instead of ‘Gritting Our Teeth,’ Ballet Dancers Opt for Therapy

Dancers are famous for buckling down and getting through it. But a new openness about mental health has companies and schools focusing on their well-being, both physical and emotional.
nytimes.com

In a Reimagined ‘Our Town,’ Dance and Poetry Run for the Woods

In “My Town,” Jack Ferver’s one-person take on the Wilder classic with hints of “Wisconsin Death Trip,” movement and storytelling are deftly intertwined.
nytimes.com

Premieres at the Paul Taylor Dance Company Lose the Taylor Thread

As part of its Lincoln Center season, the company presented works by Lauren Lovette, Robert Battle and Hope Boykin.
nytimes.com

A Choreographer Chooses the Audacity of Optimism

For her new work, opening at BAM Fisher, Juliana F. May looks to early influences to create her version of a postmodern musical.
nytimes.com

American Ballet Theater Tries to Make the Past Feel Fresh

This fall the offerings at American Ballet Theater, now in its 85th year, included a tepid premiere and touching debuts in Agnes de Mille’s “Rodeo.”
nytimes.com

Misty Copeland, Ballerina of the People, Moves On

American Ballet Theater’s first Black female principal dancer has given her farewell performance. But she’s not done with this art form yet.
nytimes.com

A Dance in a SoHo Loft With the Ghosts Who Haunt It

The choreographer Wally Cardona revisits a David Gordon duet, “Times Four,” performed in the loft in which it was made and remade for today.
nytimes.com

Fall at City Ballet: Promotions, Debuts and Transcendent Dancing

The programs were all over the map, but the dancers held the season together. Six were promoted, including India Bradley, the first Black woman to become a soloist.
nytimes.com

When Baryshnikov Wanted a Challenge, Twyla Tharp Delivered

American Ballet Theater opens with an all-Tharp program, including “Push Comes to Shove,” the first work she created for the company and its newly defected star, in 1976.
nytimes.com

Review: Paris Opera Ballet Unrolls a Lackluster ‘Red Carpet’

The esteemed company presents a full-length contemporary work by Hofesh Shechter at New York City Center. Forget about pointe shoes. This is Chanel in socks.
nytimes.com

At City Ballet, Jamar Roberts Brings Fresh Air to a Fashion Gala

New York City Ballet presents a new work of uncanny beauty, with costumes by Iris van Herpen, inspired by nature and technology.