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Gia Kourlas

Gia Kourlas

Dance Critic / Dance Writer at The New York Times

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Location
United States
Languages
  • English
Covering topics
  • Entertainment

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Recent Articles

nytimes.com

Suzanne Farrell Brings Back Those Dancing Molecules

In “Pithoprakta,” a rarely seen Balanchine work set to an extraterrestrial score, New York City Ballet dancers enter a new realm: “It was like nothing we had ever done before.”
nytimes.com

Review: Stevie Nicks, Fashion and Ballet. What Could Go Wrong?

New York City Ballet hosted its annual fashion gala, this season pairing three choreographers with designers. The faux pas really added up.
nytimes.com

Tiler Peck Takes on a New Role at City Ballet: Choreographic Associate

The position was created for the principal dancer, who is the first woman at New York City Ballet to hold a choreographic title.
nytimes.com

Dancing at Rockaway Beach: Now That’s Entertainment

Eye-catching costumes? Eerie foghorns? For this year’s Beach Sessions, Alexa West shines a light on the bright and dark sides of American showbiz in “Amusement.”
nytimes.com

A Youthful, D.I.Y. Dance Spirit Storms the Gates at MoMA

A residency at MoMA showed that Pageant, a Brooklyn performance space where experimental dance thrives, is really the sum of its artist parts.
nytimes.com

The Dance Floor Saved Madonna. Then She Made It Big Enough for Ever...

Dance is neither a tool nor an accessory for Madonna. It is an unwavering force in her performing life.
nytimes.com

The Mantra of Misty Copeland? Ballet Is for Everyone.

Copeland, the retired ballerina who was the first Black female principal of American Ballet Theater, curates a two-week festival at the Joyce.
nytimes.com

Like It or Not, Summer Means Storytime at Ballet Theater

The company wrapped up its Met season of safe war horses with multiple debuts and a slew of promotions, including the onstage appointment of three principals.
nytimes.com

Raised on Superheroes and Bruce Lee, He’s Now a Principal Dancer

Jake Roxander, a virtuosic wonder at American Ballet Theater, was promoted onstage after a recent performance. The news hasn’t quite sunk in.
nytimes.com

A New Dance Festival Moves Beyond the Same Old, Same Old

The Milly Rock, haunting flamenco and falling bodies: The Lincoln Center Contemporary Dance Festival delivers quality with nary a pointe shoe in sight.
nytimes.com

Just Singing and Dancing in the Rage

Sharleen Chidiac, a choreographer and the effervescent lead singer of Voyeur, looks at ambition and freedom in her hybrid new work: a punk musical.