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Fergus McIntosh

Fergus McIntosh

Interim Classical Editor at The New Yorker

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Location
United States
Covering topics
  • Music
Languages
  • English
Influence score
59
Media Database
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Fergus McIntosh
newyorker.com

The Emerson Quartet Goes the Way of One Direction - The New Yorker

“This is an unusually leisurely pace for us,” Drucker said. “We’re playing in Milan on Tuesday, Turin on Wednesday, then back to the U.S. on Thursday.” “But then it’s really sort of a sprint to the finish,” Watkins, who was sweating slightly in a blue checked shirt and claret-colored trousers, said. “After we get back, we’ve got—oh, my God, the glamour never stops. We’re going to Cleveland!” “There’s a lot of nostalgia in some places, knowing that it’s the last time,” Drucker, who wore a faded b…
newyorker.com

Curating Willem Dafoe's Canvas Co-Stars - The New Yorker

In “Inside,” the actor plays a thief who gets trapped in a penthouse, with priceless paintings, caviar, and views as his only companions.
newyorker.com

Vicky Krieps Meets Her Painted Doppelgänger - The New Yorker

After a night of clubbing in Brooklyn, the star of “Corsage” visits the Neue Galerie to find a lookalike.
newyorker.com

An Undocumented Chef's Menu of Memories - The New Yorker

Iván Garcia, the restaurateur and the subject of the film “I Carry You With Me,” can’t go back to Mexico, where his son, granddaughter, and mother live. So he creates dishes based on the cooking of the grandmothers and nuns back home.
newyorker.com

A Life with Art at the Center, in “Yves & Variation” - The New Yorker

Cornett, who planned to become a violinist before turning to film, met Deshommes when they sat next to each other on the subway. He’s pictured there partway through the film, travelling between worlds and reading “Recollections of a Picture-Dealer,” by Ambroise Vollard, but we first see him in the lobby of a midtown office building, where he works as a concierge. In the opening shots, he’s preparing to practice the violin, as he does every day before the morning rush. Standing behind the front d…
newyorker.com

Zoom Fatigue? Try Houseparty - The New Yorker

What to do? One could try this spring’s second-most downloaded app and see if it’s any better. Houseparty, launched in 2016, allows users to convene in “rooms” of up to eight people and entertain themselves with virtual board games (including a Pictionary knockoff) and trivia quizzes. Before the pandemic, Houseparty was a Gen-Z hangout, a mid-tier player in the video-calling leagues. Then the app gained fifty million new users in one month. It’s the virtual living room to Zoom’s virtual office.…
newyorker.com

Democrats Abroad, Including Bernie Sanders's Brother, Cast Their Pr...

Daniela Jones, a retired nurse from Hampshire, was first in line. She had travelled forty miles to cast her vote in person. Jones was born in Munich, the daughter of a German mother and an American serviceman. Inspired by a relative in Arkansas who was relying on a GoFundMe to cover his health-care costs, she was voting for Bernie Sanders. “I’ve always gone with Bernie,” she said. “I want the people over there to have a similar social safety net to what we have here.” Although Jones had never li…

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newyorker.com

Close at Hand with the Pianist Igor Levit - The New Yorker

At Zankel, Levit’s program was drawn from his new album, “Life,” a rumination on the death of a friend. A U.S. flag hung motionless on stage right as Levit sat at the gleaming Steinway, raised one arm, and began a chaconne by Bach, in an arrangement by Brahms for left hand only. Music of impassioned wisdom fell within a handspan, and, as Levit played, his right hand sometimes rose to his chest, or formed a fist and softly punched the piano stool. After a quarter of an hour, the piece came to a c…
newyorker.com

The Sound of Brexit at the BBC Proms - The New Yorker

Those ideals, however delusional, still echo more than fourteen decades later. Throughout the summer, the Hall hosts the BBC Proms, a series which modestly bills itself as the “world’s greatest classical music festival.” Seventy-five concerts, at least one a day for two months, draw some of the globe’s greatest musicians and ensembles to the city, where they often play to sold-out crowds. High musical values are a given, but, at the Proms, much of the appeal lies in low ticket prices: the most e…
newyorker.com

Summer Classical Music Preview - The New Yorker

Celebrate Leonard Bernstein’s hundredth birthday at Tanglewood, hear an opera underground at Green-Wood Cemetery, and more.
newyorker.com

How Fiction Helped Alexander Chee Face Reality - The New Yorker

Repression, the recovery of memory, and the reliving of the emotions that memory elicits were at once the purpose of his work and its métier.