TROY, N.Y. — As they closed out Act 1 ingratiating themselves to the gathered peasants and patricians of a provincial wedding, Don Quichotte and his trusty squire, Sancho Pansa, made
“The McAdo” transports the action — a freewheeling plot of forbidden romance and macabre but toothless consequences — from a pastiche Japan to the highlands of Scotland.
The Berkshire Opera Festival, Berkshire County Historical Society and Tanglewood Learning Institute are coming together for evening of arias and readings from both Billy Budds to toast the novella’s 100th
Berkshire Opera Festival hopes to channel that starkness into a new production of Charles Gounod’s 1859 opera “Faust” that will embrace “high minimalism” for three shows, 1 p.m. Aug. 24;
It's a clear statement on what opera can transform into in the hands of a truly original thinker and a welcoming, consummate professional who knows from decades of experience what
Opera takes over the Tanglewood grounds this week, with a mighty snippet from the genre’s most famous epic and a contemporary take on a baroque spectacular.
An opera it was not, but in the world premiere of “mad scramble for crumbs,” Opera Saratoga presented a surrealist work of vocal art worth seeing, not only because it