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Emma Allen

Emma Allen

Cartoon Editor at The New Yorker

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Location
United States
Languages
  • English
Covering topics
  • Animation/Comics

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Recent Articles

newyorker.com

Etiquette Makes Kate McKinnon Sad

Over high tea, the former “S.N.L.” star puzzles over whether good manners are antithetical to humor.
newyorker.com

Funny/Unfunny: The Archival Comedy Issue

Do jokes express our otherwise taboo wishes? Or does everyone just need a pie in the face?
newyorker.com

Instagram's Favorite New Yorker Cartoons in 2023 - The New Yorker

Well, it seems that many of you also enjoyed double-tapping on New Yorker cartoons this past year (for which I, as cartoon editor, join the cartoonists in thanking you). Jokes about exercising and parenting, pets and sports, socializing and personal hygiene: you liked them—a lot. So in the generous holiday spirit of not watching a kid get bucked off a pony, I instead invite you to enjoy these delicious, butyraceous cartoons, which you all dug the most on Instagram in 2023.
newyorker.com

Josh Gad and Andrew Rannells Channel Two Pals from Junior High

Josh Gad and Andrew Rannells Channel Two Pals from Junior High
newyorker.com

A Gen X-er Goes Bat-Mitzvah-Dress Shopping

Amanda Stern, whose book “You Are So Not Invited to My Bat Mitzvah” is now an Adam Sandler movie on Netflix, discusses spaghetti straps and goyim friends at Bloomingdale’s.
newyorker.com

Baywatch, the Sequel: Shark Time!

After five reported bites on Long Island and a recent chomp in the Rockaways, New York’s lifeguards have added predator-spotting drones to their tool kit.
newyorker.com

Twenty-Dollar Lemonade, but Is It Art?

On an art-fair rooftop, New York grade schoolers peddle refreshments to benefit art education in public schools.
newyorker.com

Henry Koperski Isn’t Joking Anymore

An in-demand accompanist to comedians (Matteo Lane, Catherine Cohen, Matt Rogers), he now also performs solo, as his alter ego, Henki Skidu, with a magic rock around his neck.
newyorker.com

Sam Gross Was Funny to the End

His style was a tightrope walk of economy, achieving maximum hilarity with the fewest moves, and with the humblest materials.
newyorker.com

Edward Koren, the Cheery Philosopher of Cartoons

The artist, who was first published in The New Yorker in 1962, never stopped marvelling at the miracle of a cartoon’s creation.
newyorker.com

Extra! Local Woman Publishes Personal Newspaper for Two Decades

The editor, writer, publisher, and only subject of the sometimes weekly Jennifer Mills News considers stories such as “Woman Finds Hardboiled Egg in Purse.”
newyorker.com

The Most Popular Shouts of 2022

A collection of our most widely read humor pieces of the year.
newyorker.com

George Booth Took In Life and Laughed

The cartoonist—who depicted dogs, porch-sitters, mechanics, cave-dwellers, bath-takers, military men, yokels, and churchgoers—worked and lived with uncontainable self-amusement.
newyorker.com

The Bernini of Bonsai

Benjamin Keating tours an exhibition of his sculptures, which combine bronzework with tiny trees, and recounts how he found an in with a secretive bonsai guy by bribing him with tomato sauce and fresh pasta.
newyorker.com

A Boa Constrictor and a Chinchilla Walked Into a Bar

Telling jokes to a New York audience is tough enough; two Brooklyn comedians have added exotic animals to the mix, with their new showcase, “Petting Zoo.”
newyorker.com

How Some Movers Rediscovered a Neglected Abstractionist

Yvonne Pickering Carter was leaving her South Carolina home when the haulers tipped off a local gallerist to her works. Now she’s being exhibited in New York alongside Lee Krasner and Alma Thomas.
newyorker.com

Painting Groovy Colors on the Gray Lady

The artist Fred Tomaselli spent the pandemic painting psychedelic designs and collaging over front pages of the Times—surreally mismatching headlines and photos, like the late Barry the Central Park Owl with the chaotic Afghanistan withdrawal—now on display in a digital gallery show.
newyorker.com

Celebrate George Booth and His Singular Cartoons at The New ... - T...

Thursday’s film première and discussion dig into Booth’s many decades of boisterous comic creations.
newyorker.com

Audrey Flack Keeps It Real

The ninety-year-old artist, once known for photo-realist works, dishes on Josef Albers (a bit of a letch), the Abstract Expressionists (sex-crazed), and Rodin (“a perv”), as she prepares for a new show.
newyorker.com

So, You Want to Be a New Yorker Cartoonist - The New Yorker

I solemnly swear we won’t publish anything by you without compensating you for it.
newyorker.com

A Sampling of the Best Shouts of 2020

There’s been a lot of laugh-crying ’round these parts. Thanks to the ever-adaptive minds of the super-funny, it was not just permanent cry-crying.