Ellie Parnell

Harnessing looping pedals, percussion and vocal manipulation, Tune-Yards make a very big sound for a core membership of two people. It's been ten years since the experimental pop project released their third album Nikki Nack and creepy hit Water Fountain. Songwriter and singer Merrill Garbus is on The Music Show to talk about the duo's complex rhythms, vocal athleticism, and how to play with words. Omar Musa is an author, artist, poet, and woodcutter making music and art from Borneo to Brooklyn. His third album. The Fullness, touches on the environment, culture, religious identity, and mortality. He creates poetry from a spoken-word background, melding hip-hop, jazz, and electronic sounds with earnest lyricism. 

Metal, marimbas, vampires and EDM: ABBA’s Lay All Your Love On Me as you’ve never heard it before, with producer Paul Mac and composer Alice Chance. This is the first episode of Cover Story, a new series from The Music Show in which Andy and his guests take songs of the popular music canon and examine their cover versions, for better, worse, and weirder.  Music details: Lay All Your Love On Me Composed by Benny Andersson & Björn Ulvaeus Originally recorded by ABBA for the album Super Trouper (1980) on Atlantic Records Covers by: Erasure Brian David Gilbert Bentley Robles Amberian Dawn Pale Honey Siv Jakobsen Caroline Shaw & So Percussion Paul Mac’s Tekno Train: The Album is out now.  German vocal ensemble Sjaella perform works by Alice Chance in July: Hobart Festival of Voices 1/7/25, 2/7/25 Ballina 6/7/25 Brisbane - QPAC 10/7/25 Sydney - Utzon Room 13/7/25 Adelaide - Ukaria 19/7/25, 20/7/25 Canberra 23/7/25 Melbourne Recital Centre 25/7/25 The Music Show is made on Gadigal and Gundungurra

Aspirations of modernity, progress and innovation drove music through the 20th century. For French composer Maurice Ravel, inspiration from (and imitation of) his peers, of the voices and styles around him, made him a true original. He pulled from Spanish music, 18th century music, Viennese waltz and jazz, and yet within seconds it’s always possible to hear Ravel’s own, distinct, voice. To mark the 150th anniversary of Ravel’s birth, director-composer-lyricist-translator and friend of The Music Show Jeremy Sams is Andy’s guest, to explore not only where Ravel’s music came from, but where it led. 

Alice Keath presents The Music Show for International Women’s Day, with some of the great international and local women on the WOMADelaide line-up. Latin American pop and classical sensibilities meet in the music of Cuban cellist and singer Ana Carla Maza. She joins Alice to explain why producing her own record was an act of power in the male-dominated Latin music industry. Mudburra and Garrawa woman Eleanor Jawurlngali is based in Marlinja, in the remote Northern Territory. Her debut, self-titled album has an incredible, totally unexpected sound that comes out of a new collaboration with Mick Turner from Dirty Three and award-winning cellist Stephanie Arnold. Duo Ruut are two distinct voices, and four hands on one instrument. They are Ann-Lisett Rebane and Katariina Kivi, two Estonian women who play one kannel (Estonian zither) together. Plus music from Inuk singer Elisapie and the Central Australian Aboriginal Women’s Choir.

For a band that weren't around very long and only really put out one studio album, the cultural and musical impact of the Sex Pistols is staggering. Guitarist Steve Jones opens up to Andrew Ford about starting the group when he was just a kid, how it feels to be considered a guitar hero now, and why he thinks we're still talking about the band fifty years on. Sex Pistols tour Australia next month (with singer Frank Carter replacing Johnny Rotten). When a gunshot rang out in St Paul’s Cathedral back in 1951, it wasn’t the start of a classic British criminal mystery, but rather a scientific experiment. The understanding of acoustics -- from a scientific, architectural, and musicological perspective -- accelerated throughout the 1900s, as Dr Fiona Smyth describes in her book Pistols in St. Paul’s: Science, music, and architecture in the 20th Century. She joins Andy to tell tales of the science’s development and the ‘consulting detectives’ of acoustics who drove it. And we remember the Soviet

Saxophonist, composer, improviser and master looper, Adam Page, has brought a bunch of looping pedals and instruments into our Adelaide studio to show us how he builds layers of music on the fly. Adam's just finished a run performing a live improvised score for Australian Dance Theatre’s A Quiet Language, which sampled percussive sounds captured by the dancers' bodies in rehearsal. He’s also working on a PhD exploring new techniques for improvisational looping, and occasionally undertakes ‘durational performances’, like the 24-hour non-stop solo improvisation he did in front of a live audience a few years back. Adam Page performs a 12-hour show on 16 August at The Lab in Adelaide. Sign up for details here. Solomon Islands singer, songwriter, and panpipe player Chris Kamu’ana Rohoimae is the latest winner of the ABC’s Pacific Break competition. Ce Benedict sat down with him after his WOMADelaide set to talk about how he is honouring his late father, a pipe master himself, through his music. Chri

The bouzouki has been a feature of Irish folk music since the mid-1960s, and one of the instrument’s finest modern exponents is Daoirí Farrell. He’s also a singer and a song collector, and he's brought his instrument into our studio to demonstrate how the three things fit together.  Daoirí Farrell is currently on his fourth tour of Australia, playing the National Folk Festival this weekend, and then dates in Sydney, Avoca, St Kilda, Bendigo, Upwey, Adelaide and Perth.  Irish post-punk band Fontaines D.C. have had a huge year: they’re currently in the midst of a world tour, with their album Romance topping 2024 best of lists all over the place. Carlos O’Connell talks to Andy about the ten years since they formed in the city of Dublin (the D.C. in their name), and the way that the band’s collaborative approach helps them keep pushing the boundaries of their sound.

Midge Ure is a musical chameleon, his career having taken him from boy band, Slik (stable mates of the Bay City Rollers), to punk band, Rich Kids (with ex-Sex Pistol, Glen Matlock), to singer, guitarist and keyboard player with Ultravox, penning one of the great New Romantic anthems, “Vienna”. For the past thirty years he’s been a solo artist with an ever-evolving songbook and later this year he’s bringing it to Australia. He talks to Andy about his varied career and why Ultravox was never really synth pop – not when their biggest hit contained a viola solo. Nina Korbe is Koa, Kuku Yalanji, and Wakka Wakka singer and broadcaster. She joins Andy to talk about her operatic and music theatre career on the rise, and her advocacy work introducing kids from her family's traditional lands to orchestral performance.

Lajamanu is one of the most remote places in Central Australia, and it’s where we meet Wanta Jampijinpa Pawu-Kurlpurlurnu, his father Jerry Jangala Patrick OAM, and the music producer Marc ‘Monkey’ Peckham. Crown & Country is a new album and film that’s come out of more than a decade of friendship and collaboration between Wanta, Jerry and Monkey. Blending Warlpiri Jukurrpa (Dreaming) songs, cultural stories, soundscapes from the desert, and electronic beats, it’s a compelling and immersive way of sharing Warlpiri culture with new audiences. Gordon Kerry is one of Australia's most frequently commissioned composers with works in every musical genre. From his home on a hill in north-east Victoria, he has recently completed a new work for clarinet, cello and piano and a Requiem for a cappella choir. He discusses both these pieces and the traditions to which they belong on today's show.

Liz Pelly's book Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist has been received as an evisceration of the streaming platform and the way it has fundamentally changed the business model of music (to its own advantage) over the past fifteen years. Liz joins Andy to talk through her investigation and look at the future of music listening.  And we remember American jazz singer Sheila Jordan who died this week at 96, and Australian jazz pianist and composer Judy Bailey who died last week at 89. We'll hear delightful snippets from their interview appearances on The Music Show about discovering jazz as children, choosing repertoire, and teaching the next generations.