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Edward Behrens

Edward Behrens

Editor at Apollo

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Email address
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Influence score
30
Phone
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Location
United Kingdom
Languages
  • English
Covering topics
  • Art
  • Entertainment

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Recent Articles

apollo-magazine.com

Who will put the art into artificial intelligence?

If AI is treated as little more than a fashionable selling point, writes Edward Behrens, then its potential to create genuinely innovative art may be lost
apollo-magazine.com

How artists respond to disaster

Art can never bring anything back to life, but it can help what has been lost live on in the imagination, writes Edward Behren
apollo-magazine.com

Are the Old Masters going up in the art world?

The Met’s Siena show was the toast of New York and the National Gallery’s version is expected to wow London. After December’s strong Old Master sales, the past is looking golden
apollo-magazine.com

Are the art market’s problems being blown out of proportion?

Recent successes in the London auction market may be a sign that things aren’t all doom and gloom
apollo-magazine.com

Frieze week highlights: two shamans and a sage of modern art

Plus: the subversive art of Kapwani Kiwanga, Georgie Hopton’s delightful prints and a brief history of drawing on blue paper
apollo-magazine.com

Crafting value in Venice

The Homo Faber art fair featured a bounty of contemporary crafts, but were the finer details in danger of getting lost with so much on display?
apollo-magazine.com

Scotland the brave – an interview with the director of Studio Voltaire

As the cutting-edge arts organisation in south London turns 30, its director talks to Edward Behrens about class, community and contemporary art
apollo-magazine.com

Is investing in the past the way of the future?

A new report by Historic England claims that investing in heritage will boost the economies of struggling English towns – but how reliable are the means of measurement?
apollo-magazine.com

‘I wanted conversations, I wanted people, I wanted the play’ – an i...

The acclaimed set designer speaks to Edward Behrens about some of her work for institutions such as the National Theatre, the Barbican and the Royal Court
apollo-magazine.com

What are art fairs really for?

Piling into an exhibition hall to see as much art as possible may not be ideal, but the most resourceful fairs provide some worthwhile surprises, writes Edward Behrens
apollo-magazine.com

The dealers who are turning art fairs into more domestic affairs

The International Art Magazine