Edward Behrens

The beloved New York museum is reopening its doors after a four-year refurbishment – and there’s more to delight the public than ever before

The best pieces among this year’s finalists blend skill and elegance with an awareness of questions about memory and inheritance, writes Edward Behrens

Apollo at 100

Archives are much more than stuffy storerooms filled with dried-out documents, and might be our best way of connecting to the past

If AI is treated as little more than a fashionable selling point, writes Edward Behrens, then its potential to create genuinely innovative art may be lost

Art can never bring anything back to life, but it can help what has been lost live on in the imagination, writes Edward Behren

The Met’s Siena show was the toast of New York and the National Gallery’s version is expected to wow London. After December’s strong Old Master sales, the past is looking golden

The Met’s Siena show was the toast of New York and the National Gallery’s version is expected to wow London. After December’s strong Old Master sales, the past is looking golden

The jeweller generally reveals precious little about its process, but Apollo gains access to the site in Paris where the magic happens

Edward Behrens explores the ingredients for achieving in the art world

Recent successes in the London auction market may be a sign that things aren’t all doom and gloom

Plus: the subversive art of Kapwani Kiwanga, Georgie Hopton’s delightful prints and a brief history of drawing on blue paper

The Homo Faber art fair featured a bounty of contemporary crafts, but were the finer details in danger of getting lost with so much on display?

As the cutting-edge arts organisation in south London turns 30, its director talks to Edward Behrens about class, community and contemporary art

A new report by Historic England claims that investing in heritage will boost the economies of struggling English towns – but how reliable are the means of measurement?

The acclaimed set designer speaks to Edward Behrens about some of her work for institutions such as the National Theatre, the Barbican and the Royal Court

Piling into an exhibition hall to see as much art as possible may not be ideal, but the most resourceful fairs provide some worthwhile surprises, writes Edward Behrens

Piling into an exhibition hall to see as much art as possible in a short space of time is few people’s idea of a good time, but the most resourceful fairs provide some worthwhile surprises

The International Art Magazine

Peter Hujar and Paul Thek offer a lesson in the art of appreciation at Loewe’s menswear show in Paris, writes Edward Behrens