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Ed Gonzalez

Ed Gonzalez

Co-Founder, Film/Video/Games/Books/Theater Editor at Slant Magazine

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Email address
e*****@*******.comGet email address
Influence score
50
Location
United States
Languages
  • English
Covering topics
  • Entertainment

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Recent Articles

slantmagazine.com

Oscar 2025 Winner Predictions: International Feature Film

At the SAGs last weekend, it was easy to see how the luck of a once former frontronner had completely faded here.
slantmagazine.com

Oscar 2025 Winner Predictions: Cinematography

We've put too much stock in the past on the winners of the ASC prize in past years.
slantmagazine.com

Oscar 2025 Winner Predictions: Writing (Original Screenplay)

Welcome to episode two of “How Many Oscars Will Sean Baker Win in One Night?”
slantmagazine.com

Oscar 2025 Winner Predictions: Documentary Short Film

If given the option, voters will break for a lighter or more unambiguously inspirational film.
slantmagazine.com

Oscar 2025 Winner Predictions: Costume Design

We’re going to break with tradition here by not rallying behind the period film.
slantmagazine.com

Oscar 2025 Winner Predictions: Supporting Actor

Oscar 2025 Winner Predictions: Supporting Actor
slantmagazine.com

‘The Damned’ Review: Thordur Palsson’s Atmospheric, If Narratively ...

Thordur Palsson's 19th-century-set 'The Damned' draws on Icelandic folklore about the draugr, or reanimated corpse.
slantmagazine.com

'Happy Campers' Review: An Empathetic Celebration of Community

Director Amy Nicholson's 'Happy Campers' is defined as much by what it tells you as it is by what it doesn't.
slantmagazine.com

'I Am Cuba' 4K UHD Blu-ray Review: The Criterion Collection

'I Am Cuba' is bestowed a 4K restoration worthy of its stature of one of the greatest cinematographic feats of all time.
slantmagazine.com

'Asphalt City' Review: A Guttersnipe's Wallow

Shove everything into the meat grinder of cynicism and, in the end, your insights come to feel purely incidental.
slantmagazine.com

'Problemista' Review: A Grating Wannabe Satire

‘Problemista’ at least makes a very convincing case for writer-director Julio Torres’s belief in art as a narcissistic act of self-care.