Dusty Somers

Theatre Battery's latest production is suffused both with small moments of ramshackle razzle-dazzle and truly dazzling musical heights.

"The Effect," helmed by "Succession" writer and executive producer Lucy Prebble, leaves behind plenty to ponder.

In Village’s staging, director Timothy McCuen Piggee maintains an emotional legibility that ensures the show builds to the catharsis its characters deserve.

This is the first edition of a new performance series from The Feast and coincides with the theater company deleting its Meta social media accounts.

Village Theatre's production of one of the season's Top 10 most-produced plays is as intricately plotted of a thriller as you'll find.

"Gold" may seem like a departure from Marcus Gorman's previous genre-focused works, but for the local playwright, it's his most personal work yet.

"Happy Christmas, Jeeves," which runs through Dec. 31, offers a holiday feast of antics, writes our reviewer.

The world premiere of Lisa Every and Jenn Ruzumna's play is on stage at Seattle Public Theater through Nov. 3.

In "The Adding Machine: A Cyborg Morality Play," Seattle theater company The Feast incorporates generative AI elements into Elmer Rice's 1923 fable.

Local theater company The Feast is incorporating generative AI into its upcoming production, "The Adding Machine: A Cyborg Morality Play."

ArtsWest's new holiday variety show is a charming meta backstage musical, in which a group of artists are trying to finish writing a new holiday variety show.

This play, commissioned at the behest of Queen Elizabeth I, wasn't one of Shakespeare's finest. But the actors in this Seattle production really make it sing.

Sofia Ghassaei, a 19-year-old Seattle playwright and poet who is an autistic nonspeaker, wrote "Love Letters," streaming on YouTube and screening soon at Seattle Film Institute.

The city's flagship playhouse named Dámaso Rodríguez, former artistic director at Portland's Artists Repertory Theatre, to the role. He succeeds Braden Abraham.

Sound Theatre Company's production of Martyna Majok’s critically acclaimed, Pulitzer Prize-winning play includes a host of accessible performances.

In Keiko Green’s “Wad,” a high schooler begins a pen-pal relationship with a death-row prisoner. ACT Theatre's filmed production, a showcase for three of its core company members, streams online through April 4.

Topical films, shows, concerts and comedy events are free to the public on Thursday nights in July and August at the Neptune Theatre in the University District.