“I was we, now I’m I.” Writer, director and star of the new film “Twinless,” James Sweeney explores the tragedy of one twin losing their other. In what might be
“You can still feel the echo of it,” narrator Will Patton speaks at the opening of the film. While the narration speaks about time, essence and the intangible, Clint Bentley’s
Expectations really drive your experience with arguably the most anticipated film of the year. Fans of the book and Broadway show had certain expectations last year when “Wicked” made its
Whether it was “Crouching Tiger, Hidden Dragon” landing a best picture nomination, “Parasite” being the first non-English language film winning the Academy Award for best picture, or the general understanding
George Clooney’s description of his character Jay Kelly is a “likable jerk.” The two-time Oscar winner (one for supporting actor, the other for producing) insists he isn’t playing a version
Oscar-winning director Chloé Zhao (“Nomadland”) has a way of looking at the world that evokes such painful beauty. Her latest film “Hamnet” is an adaptation of Maggie O’Farrell’s book, following
You may faintly remember hearing about Ferdinand Magellan in a high school history class. You certainly won’t get much information from Lav Diaz’s new film “Magellan,” which takes a mundane
Gus Van Sant is a delightfully unpredictable filmmaker. If there were a pattern to his films, it would be about advocating for the little guy. His latest “Dead Man’s Wire”
I can’t remember a year where we’ve had such an exciting and close film award race on our hands. Warner Bros. has two films that will take home most of
