Doug Collette

It is essential to note that The 1974 Live Recordings is not an entry in the (still?) ongoing Bob Dylan archival initiative known as The Bootleg Series.

In as much as the Allman Brothers Band made "You Don't Love Me" a central touchpoint of their concerts throughout their forty-five-year career, it only

Over the fifty-five years since the release of The Band's eponymous second studio record (released 9/22/69_—often called 'The Brown Album' based on its

An object of great affection since its release over a half-century ago, the Beatles' Abbey Road (released 9/26/69) has only grown in prominence since it

It's difficult, if not impossible, to find a more resounding return to form in the annals of contemporary rock than Neil Young's 1989 Freedom

Hamish Anderson has increasingly fine-tuned his skills as a recording artist over his last few releases, including the 2014 EP Restless, plus

Watching what is ostensibly the only existing film of Jimmy Reed compels the question of whether any other blues figure has created a more fully-formed

Fever Longing Still is Paul Kelly's most conventional long-player since 2017's Life Is Fine. Co-produced by the artist with engineer Steven

The dominant blue color scheme of the cover of Davy Knowles' The Invisible Man is similar to that of his prior album. The two records are

In a performance just shy of three and a half-minutes, Junior Wells fully demonstrates why he's held in such high regard as a progenitor of blues music at