Doug Collette

The release of Neil Young's Oceanside Countryside, following the oft-delayed public unveiling of Homegrown in 2020 and Chrome Dreams three years later,

On the cover of Life'll Kill Ya (released 1/25/00), a hirsute Warren Zevon flashes a wry grin fully in keeping with the wicked glint in his eyes. The

Chuck Berry isn't usually considered a blues artist, but his genius actually lies in the means by which he modified elements of the genre into a style

Considered to be the leading postwar Chicago blues pianist, Otis Spann played on records by Muddy Waters, Howlin' Wolf, Sonny Boy Williamson, Bo Diddley,

No figure has had a more profound effect on blues music than Robert Johnson. A grand(iose) statement, to be sure, but given the rarity of film footage and

With over a half-century retrospect, it's altogether mind-boggling that Live/Dead is the first of what would subsequently become a plethora of concert

The dominant blue color scheme of the cover of Davy Knowles' The Invisible Man is similar to that of his prior album. The two records are

In a performance just shy of three and a half-minutes, Junior Wells fully demonstrates why he's held in such high regard as a progenitor of blues music at

Fever Longing Still is Paul Kelly's most conventional long-player since 2017's Life Is Fine. Co-produced by the artist with engineer Steven

Watching what is ostensibly the only existing film of Jimmy Reed compels the question of whether any other blues figure has created a more fully-formed