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David Benedict

David Benedict

Columnist at The Stage

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Location
United Kingdom
Languages
  • English
Covering topics
  • Entertainment

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Recent Articles

thestage.co.uk

David Benedict: Wicked is casting a spell over film audiences – what's the secret to its screen s...

David Benedict takes a look at the numbers behind the success of this "Marmite movie" and asks what has made it such a hit on stage and screen
thestage.co.uk

My favourite play: Penelope Wilton

Which productions most inspired, moved and delighted our leading theatremakers? A performance of Uncle Vanya – with Michael Redgrave stealing the play from under Laurence Olivier’s nose – is the pick of actor Penelope Wilton
thestage.co.uk

David Benedict: Finally – a decent theatre trailer

Most theatre trailers are actually, despite what PRs might hope, no help at all in selling tickets, says David Benedict, but I’ve just seen one that might defy that trend
thestage.co.uk

La Traviata review at Glyndebourne, Lewes

Delicately assured revival of Tom Cairns’ production from Laura Attridge places the perspective of Verdi’s consumptive heroine centre stage
thestage.co.uk

My favourite play: Gina McKee

Which productions most inspired, moved and delighted our leading theatremakers? Here, the actor Gina McKee picks Rebecca Frecknall’s 2018 revival of a rarely staged Tennessee Williams play
thestage.co.uk

David Benedict: Mid-scale musicals are being squeezed out – but som...

The expense of mounting musicals has climbed yet higher thanks to everything from show running costs to energy bills, creating bigger commercial risks when staging smaller shows, says David Benedict
thestage.co.uk

The Shock of the Old: Can today’s audiences handle 1950s plays?

Revivals of 1950s plays are exposing London theatre audiences to attitudes they might not be comfortable with, but they should learn to see these views through the lens of history, says David Benedict
thestage.co.uk

Original musicals such as Six and Why Am I So Single? remain a hard...

Most West End musicals now take their inspiration from the movies, with producers scared of the commercial challenge of trying something new, says David Benedict
thestage.co.uk

A Chorus Line review at Sadler’s Wells, London with Adam Cooper

Nikolai Foster's revival starring Adam Cooper is warmer, less brutal than before
thestage.co.uk

David Benedict: How much is too much when it comes to reimagining a...

There will always be grumblers when it comes to theatrical reinterpretations, but some of us are happy to see a fresh take on a classic if it’s convincingly achieved
thestage.co.uk

David Benedict: Theatrical revivals need to speak to us today

As Simon McBurney brings back Mnemonic, widely regarded as one of Complicité’s finest productions, questions hover over the notion of revivals and whether they will still feel fresh in a new era