Daniel Milroy Maher

Miechowski’s work contemplates why, despite the instability of the landscape, many residents continue to call the vanishing cliffs their home

The Manx photographer spent decades highlighting the plight of working-class communities in northern England. A long-overdue retrospective reveals the enduring potency of that work.

Set within the beautiful town of Cadaqués, the festival’s exhibitions engage with their surrounding landscapes

Once an important destination along the Oregon Trail, the city – which has a population of 300 – has fallen on hard times and is struggling to hold onto its history

Dexter McLean’s photographs of a suburban Jamaican community challenges misrepresentations of the country

Seiichi Furuya looks back at the beginning and end of his relationship with his late wife

Set in Dublin’s notorious Ballymun estate, Ross McDonnell’s new photobook tells a tale of rebellion

One decade since the Tottenham riots that shook the city, the London-based photographer captures the marginalised groups that call it home, finding parallels between his experiences and theirs

On assignment for The New York Times, Ducke travelled to one of Russia's new military outposts in the Arctic where he witnessed an awakening of activity.

Virginia Hanusik on changing the visual narrative of climate change

Spending her photographic career photographing some of the planet’s most remote and inaccessible environments, Skubatz travels to a tiny town in the Arctic that is at the forefront of its changing landscape.

Daniel Milroy Maher is a London-based writer and editor specialising in photographic journalism. His work has been published by The New York Times, Magnum Photos, Paper Journal, GUP Magazine, and VICE, among others. He also co-founded SWIM Magazine, an annual art and photography publication.

Inspired by a notebook he kept during a month-long residency in a remote town in the southern Sweden, Elias’ latest publication explores distance, intimacy and human connection

The French-Armenian’s latest project, Black Garden, sees a nation in a perpetual state of conflict, striving for autonomy, no matter how long it might take

Daniel Milroy Maher is a London-based writer and editor specialising in photographic journalism. His work has been published by The New York Times, Magnum Photos, Paper Journal, GUP Magazine, and VICE, among others. He also co-founded SWIM Magazine, an annual art and photography publication.