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Corinna da Fonseca-Wollheim

Corinna da Fonseca-Wollheim

Contributing Classical Music Critic at The New York Times

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Location
United States
Languages
  • English
Covering topics
  • Music

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Recent Articles

nytimes.com

Strauss’s ‘Elektra’ Sure Seems to Resemble Another Work (Published 2016)

Parts of Richard Strauss’s “Elektra” are uncannily close to “Cassandra,” written by Vittorio Gnecchi. That opera will receive a rare performance on Saturday.
about 8 years ago
nytimes.com

Is ‘The Mikado’ Too Politically Incorrect to Be Fixed? Maybe Not. (...

At the Kaye Playhouse, a New York Gilbert & Sullivan Players production adds a prologue, nonwhite cast members and a grand sense of absurdity.
almost 8 years ago
nytimes.com

Review: John Adams Wrestles the Ghosts of His Musical Fathers ... -...

The New York Philharmonic celebrates the “dean of American new music” with a program nodding to one of his heroes, Beethoven.
over 7 years ago
nytimes.com

The Shift Festival: A Reincarnation, With Cherry Blossoms (Publishe...

A new presentation of American orchestras featured both traditional concerts and outside-the-box events.
over 7 years ago
nytimes.com

Review: An Old Stravinsky 'Funeral Song' Rumbles Anew (Published 20...

The New York Philharmonic gave the New York “premiere” of the piece, written in 1908 and long believed lost.
over 7 years ago
nytimes.com

Twisting for Solos, the Violist Is a Quartet’s Odd Player Out - The...

Chamber music conventions dictate that on the rare occasion that a viola gets the melody, it’s facing the wrong way.
about 6 years ago
nytimes.com

Handel and Philip Glass, but Make It Fashion (Published 2018)

The countertenor Anthony Roth Costanzo has planned an all-star art-clothes-dance-video spectacle to accompany the release of his new album, “ARC.”
about 6 years ago
nytimes.com

Review: Puccini’s American Opera Needs a New American Vision - The ...

The Metropolitan Opera’s 1991 staging of “La Fanciulla del West,” which opened on Thursday evening, has cinematic polish but hollow realism.
about 6 years ago
nytimes.com

Review: The Rarely Heard Christmas Music of a Baroque Master - The ...

Charpentier is a specialty of the brilliant early-music group Ensemble Correspondances, which the series Music Before 1800 presented on Sunday.
almost 6 years ago
nytimes.com

'Make Noise Enough': Excavating Shakespeare's Songs - The New York ...

In Shakespeare, music is an integral part of the action. But the First Folio, which turns 400 this year, failed to transmit how it should sound.
12 months ago
nytimes.com

Murder Most Unromantic in a New 'Carmen' at the Metropolitan Opera ...

The British director Carrie Cracknell’s production, opening on New Year’s Eve, resists the idea that the opera’s climactic scene is a crime of passion.
10 months ago