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Clare Brennan

Clare Brennan

Theatre Reviewer at The Guardian - Arts & Culture

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Location
United Kingdom
Languages
  • English
Covering topics
  • Entertainment

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Recent Articles

theguardian.com

Housemates review – a dynamic rock’n’roll riff on a global gamechanger in neurodivergent care

The remarkable true story of how the resident of a Cardiff institution and a student revolutionised supported living is told with agit-prop energy and via superb performances
theguardian.com

A Man for All Seasons review – Martin Shaw excels in Robert Bolt’s ...

Shaw conveys both the public and private Thomas More in a period-perfect if patchy production of Bolt’s 1960 play of power and corruption
theguardian.com

Twelfth Night review – a musically uplifting, concept-heavy RSC pro...

Shakespeare’s fleet-footed romance is somewhat constrained by Prasanna Puwanarajah’s direction, yet there are memorable moments
theguardian.com

Aladdin review – wishes do come true

A stand-in Genie saves the day in a magical production of the age-old story that has audience members young and old suspending disbelief
theguardian.com

The Borrowers review – Mary Norton’s classic brought to vivid littl...

The audience sees above and below the floorboards – with a little help from puppets – as Mark Babych’s production cleverly plays with scale
theguardian.com

The Three Musketeers review – a swashbuckler without a dramatic cut...

Theresa Heskins’s Dumas adaptation provides fantastic action yet reduces the scheming servant Milady to a plot device
theguardian.com

The Sound of Music review – a joyous blast of song and hope that sp...

This captivating production of the evergreen musical is a fitting swansong from Pitlochry’s outgoing artistic director, Elizabeth Newman
theguardian.com

Summer 1954 review – Rattigan double bill packs an intellectual and...

Men struggling to hide their feelings are uncloaked in James Dacre’s astute revival of the playwright’s Table Number Seven and The Browning Version
theguardian.com

Becoming Nancy review – 70s-set coming-out musical radiates optimism

Terry Ronald’s true-life tale of a bullied gay teenager who prevails in the school production of Oliver! is performed with affecting verve
theguardian.com

Reverberation review – Matthew López’s romcom is rooted in violence...

Fussy filmic visuals hobble the affecting acting in the Inheritance writer’s study of three characters struggling for connection
theguardian.com

Bright Lights Over Bentilee review – UFO show shines a light on Stoke

Claybody Theatre’s show about a famed flying saucer sighting on a housing estate is whimsical fun