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Clare Brennan

Clare Brennan

Theatre Reviewer at The Guardian - Arts & Culture

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Location
United Kingdom
Languages
  • English
Covering topics
  • Entertainment

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Recent Articles

theguardian.com

Piaf review – Audrey Brisson rises above the melee as the French singer

Pam Gems’s play with music loses focus with its small cast playing multiple characters – and musical instruments – but its star brings it all together
theguardian.com

Penguin review – revealing one-man show about a refugee’s journey t...

From dodging bombs to dancing in nightclubs, Syrian theatre-maker Hamzeh Al Hussien enacts the story of his life
theguardian.com

A Matter of Life and Death – a delightful adaptation of Powell and ...

Grounding fantasy in emotional reality, director Theresa Heskins and her joyous 14-strong ensemble make the David Niven-starring film fly on stage
theguardian.com

The week in theatre: The Women of Llanrumney; North By Northwest – ...

Azuka Oforka’s bold, ambitious play confronts the horrors of slavery, while Emma Rice takes on Hitchcock’s classic, sidelining suspense but springing surprises
theguardian.com

Wild Rose review – heart-grabbing musical of the Jessie Buckley-sta...

A Glasgow country-singing ex-con single mother dreams of the big time in Nicole Taylor’s new musical, directed by John Tiffany
theguardian.com

Housemates review – a dynamic rock’n’roll riff on a global gamechan...

The remarkable true story of how the resident of a Cardiff institution and a student revolutionised supported living is told with agit-prop energy and via superb performances
theguardian.com

The Autobiography of a Cad review – a playful mockery of entitlemen...

A fine, multitasking cast of three deliver laughs aplenty in Ian Hislop and Nick Newman’s adaptation of a 1930s satire, though the cad’s true malice is lacking
theguardian.com

A Man for All Seasons review – Martin Shaw excels in Robert Bolt’s ...

Shaw conveys both the public and private Thomas More in a period-perfect if patchy production of Bolt’s 1960 play of power and corruption
theguardian.com

Twelfth Night review – a musically uplifting, concept-heavy RSC pro...

Shakespeare’s fleet-footed romance is somewhat constrained by Prasanna Puwanarajah’s direction, yet there are memorable moments
theguardian.com

Aladdin review – wishes do come true

A stand-in Genie saves the day in a magical production of the age-old story that has audience members young and old suspending disbelief
theguardian.com

The Borrowers review – Mary Norton’s classic brought to vivid littl...

The audience sees above and below the floorboards – with a little help from puppets – as Mark Babych’s production cleverly plays with scale