Christopher Orr

Is Ted OK? Is Nate? And who is Rebecca’s secret admirer?

Also: Nate seems headed to a dark place, and Keeley and Roy explore whether there can be too much of a good thing.

Nate has status anxiety, Roy is back where he belongs, and the spirit of Meg Ryan is everywhere.

It’s only a matter of time before the poster-board and markers come out …

Sam makes a difficult decision, Jamie makes amends and the writers make some dubious choices.

Like a lot of the show’s fans, the British actress found the fish-out-of-water comedy to be an emotional balm during an exceptionally trying time. Now she’s the latest big addition to the cast.

The Season 2 premiere finds Lasso and friends demoted from the Premier League. And yet, not much has changed.

Exhibition | 'Colour Provokes a Psychic Vibration' at HdM GALLERY, London, United Kingdom  Ocula Magazine

My dad’s been pestering me since the summer to watch the Irish police soap opera Red Rock now that it’s on AmazonPrime. While I’m always down for a good crime story, I’m not…

When you take away guns and shootings, you have more time to explore grief, guilt, and the psychological complexity of crime.

Why on earth has the formulaic series, which debuted half a century ago, outlasted just about everything else on television?

The sci-fi thriller’s new season mostly abandons the western setting. But will sleek new scenery and a new star, Aaron Paul, be enough to win back those put off by the show’s convoluted story?

The latest ‘MonsterVerse’ movie from Warner Bros. is lazily plotted and feels wholly disconnected from the films that came before it.

The remake of ‘Dirty Rotten Scoundrels’ with Anne Hathaway and Rebel Wilson doesn’t do much with its new female leads—and what it does do, it does poorly.

What if the film had treated its amnesia story line as a creative opportunity rather than as a hindrance?

The Rebel Wilson vehicle is neither funny nor clever enough to be the movie it wants to be.

Florian Henckel von Donnersmarck’s Oscar-nominated German drama is worth nearly every minute of its three-hour run time.

In a new, authoritative book by Matt Zoller Seitz and Alan Sepinwall, the ‘Sopranos’ creator David Chase appears to make an accidental confession.

Opinions will vary, but for those in the proper mood, the new sequel starring Emily Blunt is a very pleasant diversion.

Intimate in focus yet vast in scope, the director’s homage to his childhood in early-1970s Mexico City may be the best film of the year.