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Chris Molanphy

Chris Molanphy

Host at Hit Parade - Slate

Contact this person
Email address
k*****@*******.comGet email address
Influence score
66
Location
United States
Languages
  • English
Covering topics
  • Music

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Recent Articles

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Kate Bush's “Running Up That Hill” Billboard Top 10 took more than ... - Slate

Stranger Things gave “Running Up That Hill” the final push, but its unprecedented climb is decades in the making.
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The Bridge: Sync Is Both Stranger and Shameless

In the peak TV era song publishers like Mara Kuge have never had so many venues for their clients’ music—but getting a song placed is complicated.
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Why Lizzo's About Damn Time is number 1. - Slate

“About Damn Time” demonstrates a skill that no one else can pull off these days.
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Fleetwood Mac Fused Songwriting with Intricate Production. - Slate

McVie could have styled herself as a ’70s singer-songwriter like Carole King, but she gave her songs to Fleetwood Mac, because she thrived in bands.
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Why Oliva Rodrigo's “Vampire” is No. 1 on Hot 100—again. - Slate

Olivia Rodrigo is back at No. 1, but this time it’s parents who put her there.
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Taylor Swift's “Cruel Summer” hits No. 1: How Lover was resurrected...

Only one Taylor Swift album never spawned a No. 1 hit—until now.
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Why Chris Molanphy wrote about Lil Nas X. - Slate

Live in New York City, Chris Molanphy discusses his book Old Town Road with fellow author Dan Charnas.
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Jack Harlow: Is the “Lovin On Me” rapper hip-hop's great white hope...

2023 saw hip-hop’s longest drought in decades. Is Jack Harlow the man to save it?
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Brenda Lee: Why “Rockin' Around the Christmas Tree” is finally ... ...

Why a 65-year-old Christmas classic is finally atop the Billboard charts.
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How fans tell the music biz what's a hit. - Slate

The Weeknd would have loved for singles from his Dawn FM album to be smash hits, but fans on TikTok told him to go with a six-year-old song instead.
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Why the Grammys are more charts than art. - Slate

If the Grammys are supposed to be about art, not charts, why do they reward big hits so often? You know, is that such a bad thing?
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Why Beyonce's “Texas Hold 'Em” is No. 1 on the country chart but no...

Why “Texas Hold ’Em” is No. 1 on the country chart—but not on country radio.
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What “Fast Car” by Luke Combs tells us about the art of the cover s...

The evolution of pop-hit covers, from the Beatles to Doja Cat.
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Ariana Grande's “We Can't Be Friends” turns controversy into jet fu...

Ariana Grande’s “We Can’t Be Friends” rides controversy all the way to No. 1.
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Future, Metro Boomin, and Kendrick Lamar at No. 1: How “Like That” ...

The rap beef record is perfectly adapted to the streaming era.
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Taylor Swift's “Fortnight” is her 12th Billboard No. 1 song—but how...

With The Tortured Poets Department, she breaks even more sales records. But is a song like “Fortnight” a lasting smash?
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Post Malone: Why Taylor Swift, Morgan Wallen, and Beyoncé are all d...

America’s favorite face-tattooed, billy goat–voiced singer is in the middle of one of history’s most successful rebrands.
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Quincy Jones Was Pop’s Master Producer. - Slate

Everyone wanted to work with Quincy Jones, from Ray Charles to Frank Sinatra to Aretha Franklin—all before he even met Michael Jackson.
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Why Sabrina Carpenter's “Please Please Please,” not “Espresso,” put...

To understand how Sabrina Carpenter got so big, you have to understand her controversies.
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Song of the Summer Is America’s pastime. - Slate

“Summer in the City.” “I Feel the Earth Move.” “Bette Davis Eyes.” “Get Lucky.” “Espresso.” None of these hits was Billboard’s official Song of the Summer.
slate.com

America’s New No. 1 Song Is Doing What Even Beyoncé Couldn’t

A Black rapper is atop the country charts—and for once, even country listeners are embracing him.