Log in
Start free trial
Book a demo
Product
Media Database
Find the right journalists
Online Newsroom
Shape your own narrative
Press Release Creator
Create and send press releases
Media Monitoring
Track every single online mention
Media Pitching Tool
Contact recommendations & stats
PR Reports
Showcase the impact of your work
PR CRM
Manage contacts in easy way
AI PR Software
Use AI to save time on your workflow
Social Media Listening
Get a full overview of your brand's presence
Pricing
Top journalists
Top outlets
Book a demo
Log in
Start free trial
Media Database
>
Chris Molanphy
Chris Molanphy
Host at
Hit Parade - Slate
Contact this person
Email address
k*****@*******.com
Get email address
Influence score
66
Location
United States
Languages
English
Covering topics
Music
View more media outlets and journalists by signing up to Prowly
View latest data and reach out all from one place
Sign up for free
Recent Articles
slate.com
Kate Bush's “Running Up That Hill” Billboard Top 10 took more than ... - Slate
Stranger Things gave “Running Up That Hill” the final push, but its unprecedented climb is decades in the making.
over 2 years ago
slate.com
The Bridge: Sync Is Both Stranger and Shameless
In the peak TV era song publishers like Mara Kuge have never had so many venues for their clients’ music—but getting a song placed is complicated.
over 2 years ago
slate.com
Why Lizzo's About Damn Time is number 1. - Slate
“About Damn Time” demonstrates a skill that no one else can pull off these days.
over 2 years ago
slate.com
Fleetwood Mac Fused Songwriting with Intricate Production. - Slate
McVie could have styled herself as a ’70s singer-songwriter like Carole King, but she gave her songs to Fleetwood Mac, because she thrived in bands.
almost 2 years ago
slate.com
Why Oliva Rodrigo's “Vampire” is No. 1 on Hot 100—again. - Slate
Olivia Rodrigo is back at No. 1, but this time it’s parents who put her there.
about 1 year ago
slate.com
Taylor Swift's “Cruel Summer” hits No. 1: How Lover was resurrected...
Only one Taylor Swift album never spawned a No. 1 hit—until now.
about 1 year ago
slate.com
Why Chris Molanphy wrote about Lil Nas X. - Slate
Live in New York City, Chris Molanphy discusses his book Old Town Road with fellow author Dan Charnas.
about 1 year ago
slate.com
Jack Harlow: Is the “Lovin On Me” rapper hip-hop's great white hope...
2023 saw hip-hop’s longest drought in decades. Is Jack Harlow the man to save it?
12 months ago
slate.com
Brenda Lee: Why “Rockin' Around the Christmas Tree” is finally ... ...
Why a 65-year-old Christmas classic is finally atop the Billboard charts.
12 months ago
slate.com
How fans tell the music biz what's a hit. - Slate
The Weeknd would have loved for singles from his Dawn FM album to be smash hits, but fans on TikTok told him to go with a six-year-old song instead.
11 months ago
slate.com
Why the Grammys are more charts than art. - Slate
If the Grammys are supposed to be about art, not charts, why do they reward big hits so often? You know, is that such a bad thing?
10 months ago
slate.com
Why Beyonce's “Texas Hold 'Em” is No. 1 on the country chart but no...
Why “Texas Hold ’Em” is No. 1 on the country chart—but not on country radio.
9 months ago
slate.com
What “Fast Car” by Luke Combs tells us about the art of the cover s...
The evolution of pop-hit covers, from the Beatles to Doja Cat.
8 months ago
slate.com
Ariana Grande's “We Can't Be Friends” turns controversy into jet fu...
Ariana Grande’s “We Can’t Be Friends” rides controversy all the way to No. 1.
8 months ago
slate.com
Future, Metro Boomin, and Kendrick Lamar at No. 1: How “Like That” ...
The rap beef record is perfectly adapted to the streaming era.
8 months ago
slate.com
Taylor Swift's “Fortnight” is her 12th Billboard No. 1 song—but how...
With The Tortured Poets Department, she breaks even more sales records. But is a song like “Fortnight” a lasting smash?
7 months ago
slate.com
Post Malone: Why Taylor Swift, Morgan Wallen, and Beyoncé are all d...
America’s favorite face-tattooed, billy goat–voiced singer is in the middle of one of history’s most successful rebrands.
6 months ago
slate.com
Quincy Jones Was Pop’s Master Producer. - Slate
Everyone wanted to work with Quincy Jones, from Ray Charles to Frank Sinatra to Aretha Franklin—all before he even met Michael Jackson.
5 months ago
slate.com
Why Sabrina Carpenter's “Please Please Please,” not “Espresso,” put...
To understand how Sabrina Carpenter got so big, you have to understand her controversies.
5 months ago
slate.com
Song of the Summer Is America’s pastime. - Slate
“Summer in the City.” “I Feel the Earth Move.” “Bette Davis Eyes.” “Get Lucky.” “Espresso.” None of these hits was Billboard’s official Song of the Summer.
4 months ago
slate.com
America’s New No. 1 Song Is Doing What Even Beyoncé Couldn’t
A Black rapper is atop the country charts—and for once, even country listeners are embracing him.
4 months ago