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If the Grammys are supposed to be about art, not charts, why do they reward big hits so often? You know, is that such a bad thing?
10 months ago
slate.com
Why “Texas Hold ’Em” is No. 1 on the country chart—but not on country radio.
9 months ago
slate.com
The evolution of pop-hit covers, from the Beatles to Doja Cat.
8 months ago
slate.com
Ariana Grande’s “We Can’t Be Friends” rides controversy all the way to No. 1.
8 months ago
slate.com
The rap beef record is perfectly adapted to the streaming era.
8 months ago
slate.com
With The Tortured Poets Department, she breaks even more sales records. But is a song like “Fortnight” a lasting smash?
7 months ago
slate.com
America’s favorite face-tattooed, billy goat–voiced singer is in the middle of one of history’s most successful rebrands.
6 months ago
slate.com
Everyone wanted to work with Quincy Jones, from Ray Charles to Frank Sinatra to Aretha Franklin—all before he even met Michael Jackson.
5 months ago
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To understand how Sabrina Carpenter got so big, you have to understand her controversies.
5 months ago
slate.com
“Summer in the City.” “I Feel the Earth Move.” “Bette Davis Eyes.” “Get Lucky.” “Espresso.” None of these hits was Billboard’s official Song of the Summer.
4 months ago
slate.com
A Black rapper is atop the country charts—and for once, even country listeners are embracing him.
4 months ago