Chris Jones

Raven Theatre’s production may take an overly literal approach at times, but it does not hold back.

Goodman Theatre’s big 100th season: David Byrne, an ‘Office’ star and the return of Robert Falls

Since 2016, the Sara Bareilles songs like “She Used to Be Mine” and “When He Sees Me” have become staples of cabarets, auditions and YouTube videos.

Review: ‘Cygnus’ at Gift Theatre is a ‘Succession’ writer’s powerful evocation of trauma and recovery

Clue, or Cluedo in the country of its birth, is one of the best board games of all time. Colonel Mustard, Mrs. Peacock and Professor Plum have been brandishing their candlesticks, lead piping and o…

Director Amber Mak’s in-the-round production reinvents no wheels in Andrew Lloyd Webber and Tim Rice’s musical. Nor does it need to.

Review: ‘Betrayal’ at the Goodman offers the melancholy of age instead of seduction

The play by Harold Pinter is a reverse chronology that begins at the end of the affair and usually has a young cast. There’s a lot more depth in casting older actors, she says.

Review: ‘Redwood’ on Broadway holds few surprises as Idina Menzel communes with the trees

Playwright Sadieh Rifai’s world premiere introduces us to a Palestinian-American family who must upend their lives.