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Chris Bartlett

Chris Bartlett

Freelance Feature Writer at The Stage

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Email address
c*****@*******.coGet email address
Influence score
29
Phone
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Location
United Kingdom
Languages
  • English
Covering topics
  • Entertainment

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Recent Articles

thestage.co.uk

The Rock 'n' Roll Panto Rapunzel review at Liverpool Everyman, written by Jude Christian and star...

Enjoyably energetic, if unfocused, family show directed by Francesca Goodridge, starring Michael Starke, Adam Keast, Ai Kumar, Zoe West, Rebecca Levy, Tomi Ogbaro and Ben Boskovic
thestage.co.uk

The Scouse Red Riding Hood review at Liverpool Royal Court by Kevin...

Raucously rude, enjoyably anarchic adult panto with local Liverpool jokes, directed by Mark Chatterton and starring Lindzi Germain, Andrew Schofield and Keddy Sutton
thestage.co.uk

Danesha review at the Lowry, Salford, by Stefanie Reynolds

Touching coming-of-age story about race, sexuality and identity
thestage.co.uk

War Horse review at The Lowry, Salford

Hugely moving, visually stunning revival of the National’s landmark production
thestage.co.uk

Murder on the Orient Express review at The Lowry, Salford

Lucy Bailey's direction reinvigorates the Christie staple
thestage.co.uk

Sisters of Mersey review at Liverpool Royal Court Theatre, written ...

Boisterously fun but throwaway comedy musical with Scouse humour at Liverpool Royal Court Theatre, written by Jonathan Harvey
thestage.co.uk

Rope review at Theatr Clwyd, Wales, by Patrick Hamilton and Frances...

With direction from Francesca Goodridge, this is a visually inventive, impressively realised revival of Patrick Hamilton’s classic thriller
thestage.co.uk

The Taming of the 'Shrew' review at Hope Mill, Manchester adapted b...

Raucous, intensely physical all-female reinvention of Shakespeare’s problematic play from Unseemly Women, HER Productions and Girl Gang Manchester
thestage.co.uk

The Importance of Being Earnest review at Royal Exchange, Mancheste...

Director Josh Roche's frothily funny, modernised take on Oscar Wilde’s perennially relevant comedy
thestage.co.uk

Dracula: The Bloody Truth at the Octagon Theatre, Bolton, adapted b...

Amusing but uneven comic take on Bram Stoker’s horror tale
thestage.co.uk

Tell Me How It Ends review at Liverpool Everyman by Tasha Dowd

Poignant portrait of a friendship during the 1980s AIDS epidemic staged at Liverpool Everyman