Chloé Wolifson

Siteworks, an annual festival of art and environment at Bundanon, makes climate a focus for art.

The Ethiopian-born, South Sudanese artist is the first recipient of the award that recognises Australian women artists.

Old Wave Brings Empty Shells: Interview with Minstrel Kuik - ArtAsiaPacific

Make the most of your winter outings to the Art Gallery of NSW with these programs.

An exhibition of paintings by Swedish artist Hilma af Klint broke attendance records at New York’s Guggenheim museum. Now the first major Asia-Pacific survey of af Klint’s work is on at the Art Gallery of NSW.

More than 6000 portraits have been hung in the Archibald prize since it began 100 years ago. Tracking them all down to choose 100 works for a special exhibition was curator Natalie Wilson’s first challenge.

If you live in Sydney, you’ve probably seen her work many times, even if you haven’t realised it.

A huge number of artists have contributed to this anniversary show at Sutherland Shire’s community art gallery.

In her long career, Julie Rrap has seen a huge shift in the way women artists are represented.

Human relationships are now the focus of her art practice.

Euan Macleod’s latest exhibition is a visceral demonstration of the majestic unpredictability of the landscape.

Joanna Braithwaite uses humour and animals effectively in her paintings to pose questions about science, politics, and human nature.

John Ward Knox’s portrait of New Zealand PM Jacinda Ardern was released from Australian customs just in time to be entered into the Archibald Prize.

“I went to the very first [Wanderers’] game at Parramatta stadium and it was a moment of enlightenment for me.”

Whether through textiles or tattoos, Ukraine-born, Melbourne-based artist Stanislava Pinchuk knows how to make a statement and the arts world has taken notice.

Simryn Gill’s latest exhibition seems to ask: how do we make records of place and time?

The subjects in Henson’s photographs appear completely absorbed in intimacy, unaware of the viewer’s gaze.