Cassie Tongue

Amy Herzog’s acclaimed drama 4000 Miles opens the season for the Sydney Theatre Company with powerful performances that recall the hopeful era of the play’s debut.

Bell Shakespeare’s Henry 5

In Pamela Rabe and Nick Schlieper’s steely co-production of Happy Days for Sydney Theatre Company, Winnie isn’t pretending – she’s surviving.

Sydney Theatre Company’s adaptation of The Talented Mr. Ripley is an entertaining two hours that comes with a geniunely unexpected twist.

Sarah Goodes’ production of Who’s Afraid of Virginia Woolf? adds a vicious new spin to Edward Albee’s portrait of a nightmare marriage.

The Sydney Festival is a reminder of how art can heal and processional, interactive work can make community.

David Wenham’s rendition of An Iliad brings us a weary poet cursed to retell the story of the Trojan War through the violence of the present.

More a recitation than an exploration, Suzy Eddie Izzard’s The Tragedy of Hamlet is a generous act of shared cultural memory.

More a recitation than an exploration, Suzy Eddie Izzard’s The Tragedy of Hamlet is a generous act of shared cultural memory.

Jane Harrison’s new play, Bennelong in London, has the charm and emotional honesty of her best works.