Brian Tallerico

“Rebuilding” is a gentle, empathetic ode to resilience, a story of a man at a crossroads he never planned to visit.

“The American Revolution” is rich with detail and vibrant with intellectual filmmaking that seeks to serve as a definitive record of its subject.

There’s enough to like here to forgive a film whose ambition exceeds its reach.

“Playdate” is an ugly, mean, humorless movie.

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“The Monster of Florence” comes off hollow by being so unfocused.

Some of it feels rushed and repetitive, but there’s a reasonable amount of ambition to admire here, especially compared to other streaming original films for the family.

It’s a messy movie in a way that produces frustration instead of fear, and its nods to commentary on gender roles and the need to become and stay beautiful feel shallow and insincere.

This project is largely a love letter to creativity, a story of a man who pushed through every valley in his career to create a higher peak.