Bilge Ebiri

Deadpool & Wolverine isn’t particularly good. But it’s so determined to beat you down with its incessant irreverence that you might submit anyway.

In a moody new (mostly) live-action film from a great French animator, grief and aliens converge.

Malcolm Washington’s The Piano Lesson is a worthwhile and occasionally quite moving adaptation. But it lives uncomfortably between two forms.

Grant’s been terrific in recent years as characters of questionable moral standing, but his riveting turn in Heretic is something else entirely.

With Juror No. 2, the director delivers a fine legal drama — but will anybody get to see it?

No Other Land, directed by a four-person Israeli-Palestinian collective, has won awards and acclaim. But no one in the U.S. wants to distribute it.

A new Netflix documentary charts the lifestyle mogul’s rise and fall (and rise) while giving us glimpses of her dark side.

The script isn’t much, but the actress shines in this quaint little semi-musical monster-movie rom-com.

Conclave combines the pulp velocity of a great airport read with the gravitas of high drama.

Anna Kendrick shows some promise as a director, and the film’s real-life serial-killer story is insane. But the whole film feels a bit too careful.

The legendary Canadian director Guy Maddin’s new movie ‘Rumours’ is a political satire with a giant glowing brain.