Bilge Ebiri

Netflix just bought one of the best films of the year out of Sundance, but please, for the love of God, don’t watch this masterpiece on your phone.

In his speech to filmmakers last weekend, Pope Leo XIV showed he’s been paying serious attention to the issues facing cinema as an art form.

The sequel might be a step back in terms of spectacle, but it’s a leap forward in (go ahead, laugh) subtlety and emotion.

Now You See Me: Now You Don’t resurrects a series that makes a mockery of magic.

Emerald Fennell’s adaptation is already driving everybody insane. This is mostly a good thing.

Ira Sachs’s new film, Peter Hujar’s Day, starts off as an elevation of the quotidian but transforms into something more reflective.

Predator: Badlands upends the typical Predator movie premise, but it has enough humor, charm, and creative violence to win us over.

Director Sepideh Farsi on the shock of losing the Palestinian subject of her film in an Israeli attack just weeks before it would premiere at Cannes.

In Put Your Soul on Your Hand and Walk, we watch a filmmaker’s video calls to a young woman in Gaza and reflect on the things we cannot change.

Jeremy Allen White shines as the Boss in Deliver Me From Nowhere, whether he’s being sad and poetic or exploding onstage.