Bilge Ebiri

In bringing back the Grabber, the sequel turns out to be weirder and maybe scarier than the first film.

DiCaprio’s hilarious performance is the glue that holds One Battle After Another together — as it does so many of his films these days.

Shane Black is back from movie jail with a gonzo action extravaganza starring Mark Wahlberg.

Jim Jarmusch on what’s paying his bills these days and the words he lives by.

Clooney plays it all so cool in Noah Baumbach’s latest. But by the end, he gets you anyway.

The director’s latest, her first film in seven years, is an absurdly riveting thriller with the kind of ticking-clock suspense Bigelow does so well.

Willem Dafoe and Greta Lee are so good in ‘Late Fame’ that I keep wishing the movie were better.

It’s a transcendent performance, somehow both a miracle and the kiss of death for his son Ronan Day-Lewis’s first feature.

Ira Sachs’s new film, Peter Hujar’s Day, starts off as an elevation of the quotidian but transforms into something more reflective.

Despite its deliberate pacing and talky script, Luca Guadagnino’s latest is not quite the heady intellectual drama it wants to be.