Bilge Ebiri

The director talks his new film In the Lost Lands, skipping the Resident Evil reboot, and his harshest critics.

Carson Lund’s charming indie film about a bunch of guys playing their last ball game has a power that sneaks up on you.

Paul W.S. Anderson returns, this time with a postapocalyptic medieval fantasy sci-fi western fable adapted from a George R.R. Martin short story.

No Other Land, directed by a four-person Israeli-Palestinian collective, has won awards and acclaim. But no one in the U.S. wants to distribute it.

It’s No Wonder That Everyone Falls for Anora

This underwater-survival thriller, based on a real-life 2012 deep-sea diving incident, is worth seeing on a big screen while you can.

Jeremy Strong is doing something that very few supporting actors are willing, or even empowered, to do nowadays. Reward him for it.

The best movie at Cannes this year is an oddball Canadian comedy. Matthew Rankin’s ‘Universal Language,’ set in a Winnipeg where everyone speaks Farsi, feels warm and familiar even as we realize just how startlingly original it is.

The messy and tiresome Captain America: Brave New World has a few ideas, but it handles them in the most shallow, simplistic ways.

The latest installment of Kevin Costner’s four-part western epic is darker and more intimate than the first.