Austin Saalman

Maya Hawke’s sophomore effort MOSS feels more spare than 2020’s autumnal Blush, as though the passing season has diminished its lush foliage to a spectral winterscape, the bare bones of the Stranger Things actress’ creative soul protruding upward through the snow.

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“Elvis is my daddy, Marilyn’s my mother, Jesus is my bestest friend,” sings indie pop phenomenon Lana Del Rey on her beguiling, if overlooked “Paradise” EP, identifying herself yet again as a neon lovechild of popular culture, and further mythologizing herself as a musical force to be reckoned with.…

North Carolinian cult power pop outfit The Mayflies USA emerged triumphantly from the rich Chapel Hill music scene to deliver three noteworthy college indie releases in the late 1990s and early 2000s.

With the release of “The Dark Side of the Moon,” Pink Floyd’s penetrating exploration of madness and excess, the influential English rockers were catapulted from a revered psychedelic act to an international phenomenon.

Three years prior to the release of his critical and commercial breakthrough Small Change, Tom Waits signed with Asylum Records and released his boozy, nocturnal, and ultimately low-key debut Closing Time.

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Neil Young: Oceanside Countryside (Reprise) - review

For Melancholy Brunettes (& sad women)