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Austin Considine

Austin Considine

Assistant TV editor at The New York Times

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Location
United States
Languages
  • English
Covering topics
  • Media

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Recent Articles

nytimes.com

Billy Bob Thornton Knows Who He Is

The actor and former director has moved beyond past Hollywood slights and his old hotheaded reputation. But he still keeps having to explain himself.
nytimes.com

‘Fallout’ Finds the Fun in an Apocalyptic Hellscape

TV’s latest big-ticket video game adaptation, from the creators of “Westworld,” takes a satirical, self-aware approach to the End Times.
nytimes.com

DogTV Is TV for Dogs. Except When It’s for People. (Published 2023)

The channel hopes to tap into a huge new audience of pandemic puppies, but also makes sure to try to appeal to viewers who can actually operate a remote.
nytimes.com

‘Remembering Every Night’ Review: Separate Lives, Intertwined (Publ...

Yui Kiyohara’s slow and graceful film follows a day in the life of three women of different ages as their paths crisscross in a Tokyo suburb.
nytimes.com

How Metallica Hard-Wires a Different Set List Every Night (Publishe...

The metal institution is on the road supporting its 11th album. Drawing on four decades of songs, the drummer Lars Ulrich keeps fans, and his bandmates, on their toes.
nytimes.com

‘Vera’ Review: No Faking (Published 2023)

In this hybrid film by Tizza Covi and Rainer Frimmel, the actress Vera Gemma portrays a complex and vulnerable version of herself.
nytimes.com

‘Return to Dust’ Review: Grit Against All Odds (Published 2023)

Li Ruijun’s newest feature is a touching portrait of love and resiliency that doubles as a critique of China’s ruling class.
nytimes.com

Tim Baltz on How B.J. Grabbed a Win in ‘The Righteous Gemstones’ (P...

Sunday’s episode was a test for Baltz’s character, but B.J. seized the moment. Still, his victory came at a price.
nytimes.com

In ‘Them,’ a Black Family Is Haunted by Real-Life Monsters (Publish...

Created by Little Marvin and produced by Lena Waithe, the new series uses genre-style horror to unearth a racist and lasting relic from America’s past.
nytimes.com

Danny McBride Keeps It Righteous (Published 2023)

The creator and star of “The Righteous Gemstones” has played a lot of hard-partying blowhards, but those guys aren’t him. Well, maybe the partying part is.
nytimes.com

‘White Building’ Review: Coming of Age in Cambodia (Published 2023)

Kavich Neang’s lush feature tells a largely autobiographical tale of growing up in a building whose often painful history is a microcosm of his country’s.
nytimes.com

In ‘City on Fire,’ the New York of the Early 2000s Burns Bright (Pu...

A new TV adaptation of the celebrated novel moves the story from the 1970s to the post-9/11 era.
nytimes.com

‘Passion’ Review: Friends Fall Apart (Published 2023)

Belatedly making its U.S. debut, a 2008 film from Ryusuke Hamaguchi (“Drive My Car”) offers new insights into his abiding themes and sensibilities.
nytimes.com

How Brian Cox Felt About That Big Episode 3 Twist in ‘Succession’ (...

It was a pivotal moment for this series, which orbits his character, Logan Roy, a conservative media mogul and political kingmaker. Major spoilers ahead.
nytimes.com

‘Walk Up’ Review: Good Friends Make Bad Neighbors (Published 2023)

Hong Sang-soo’s latest film traces the relationships in a small Seoul apartment building as they evolve and grow heavier with complications.
nytimes.com

‘Hidden Blade’ Review: Smoke Gets in Your Eyes (Published 2023)

Tony Leung stars as a spy chief during a shadowy period in midcentury China, when nationalists, communists and imperialists vied for power and souls.
nytimes.com

In ‘Tulsa King,’ Sylvester Stallone Tries Something New: Being Hims...

His best-known characters often speak in grunts. But in a new series from Taylor Sheridan, he plays a smooth talker written with his real personality in mind.
nytimes.com

‘The Novelist’s Film’ Review: Real Talk (Published 2022)

In Hong Sang-soo’s latest study in small moments and chance encounters, a visit to an old friend prompts a writer in crisis to try something new.
nytimes.com

‘Stars at Noon’ Review: A Not-So-Innocent Abroad (Published 2022)

Claire Denis’s captivating new film, starring Margaret Qualley and based on the novel by Denis Johnson, treads familiar territory in a foreign land.
nytimes.com

‘Casablanca Beats’ Review: Hip-Hop Isn’t Dead

Nabil Ayouch’s exuberant musical declares that the genre hasn’t faded; it has just been hiding in a Moroccan slum.
nytimes.com

‘We Are Living Things’ Review: The Truth Is Out There (Published 2022)

Two undocumented immigrants from opposite sides of the world connect in Brooklyn — and over their shared trauma relating to apparent alien abductions.