Audrey H. Limb

Not all adventures are for the books. Some, like Samantha Sotto Yambao’s “Water Moon,” were destined for poetry and illustrated dreamscapes.

The song is in first-person perspective, providing a deeply intimate window into Jelly Roll’s personal struggles with alcoholism and addiction.

"The Company" by J. M. Varese suffers from dull narration and a painful absence of character development, amiss for this so-called Gothic thriller.

David Duchovny's “The Reservoir” is touching, ironic, and heartbreaking all at once, a startling reminder of just how recent the COVID-19 era was.

“Selfish” clings to a past era of boy bands and feel-good love songs, making it sound out of place now.

On Nov. 6, the London National Gallery’s famous painting suffered its second attack from social activists.

The lack of innovation and substance throughout the song makes it forgettable, and sets an underwhelming forecast for future drops.

Despite a lifetime of experience and education in ecology, nothing could have prepared Carl Safina for the extraordinary revelations that a unique owl named Alfie would bring into his world.

Grullon lives and leads by example to ensure that everyone feels welcome in Harvard’s theater spaces. Her genuine concern for the well-being of others at the individual, communal, and global levels is perhaps the greatest strength of her leadership.

Though hindered by its desire to cover too many social issues at once, “Family Meal” gets the chaotic ingredients of human relationships and (mis)communication just right.

With all the right ingredients for artistic success, Trousdale is primed to establish themselves as boundary-pushing powerhouses in today’s pop and pop-adjacent landscapes.